Found: 27
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Expanding Understandings of Curatorial Practice Through Virtual Exhibition Building.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 162, doi. 10.3390/arts13050162
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Cross-Cultural Histories and Traditions Between the Cut and Engraved Glass Scenes of the UK and Japan.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 161, doi. 10.3390/arts13050161
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Dramatic Scenes and Monstrous Animals: On the First Exhibition of Chinese Art in the USSR.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 160, doi. 10.3390/arts13050160
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Abstract Subjects: Adia Millett, Abstraction, and the Black Aesthetic Tradition.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 159, doi. 10.3390/arts13050159
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The Unseen Truth of God in Early Modern Masterpieces.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 158, doi. 10.3390/arts13050158
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Shaping New Identities in the First Intermediate Period (2160–2050 BC): Archers and Warriors in the Iconography of Upper Egypt.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 157, doi. 10.3390/arts13050157
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Exhibiting for Purpose: Finnish Art in Moscow in 1934.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 156, doi. 10.3390/arts13050156
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'The Cultural Mediator between the North and the South, the East and the West': The 1930 Official Exhibition of Austrian Art in Warsaw.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 155, doi. 10.3390/arts13050155
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Sound and Perception in Ridley Scott's Blade Runner (1982).
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 154, doi. 10.3390/arts13050154
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Close Encounters of the Feathered Kind: Orpheus and the Birds.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 153, doi. 10.3390/arts13050153
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Calculated Randomness, Control and Creation: Artistic Agency in the Age of Artificial Intelligence.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 152, doi. 10.3390/arts13050152
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Gothic Locks: Pioneering Drawings for Hydraulic Works in 16th-Century Holland.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 151, doi. 10.3390/arts13050151
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Judith Leyster's A Boy and a Girl with a Cat and an Eel : An Intersectional Approach.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 150, doi. 10.3390/arts13050150
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The Distributed Authorship of Art in the Age of AI.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 149, doi. 10.3390/arts13050149
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Arts —Update on the Aims and Scope.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 148, doi. 10.3390/arts13050148
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Designed Segregation: Racial Space and Social Reform in San Juan's Casa de Beneficencia.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 147, doi. 10.3390/arts13050147
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How Did 19th-Century Alphorns Sound? A Reconstruction Based on Written Accounts of Its Musical Timbre.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 146, doi. 10.3390/arts13050146
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'Archetypal Load of Tension': Idiosyncratic Idioms of Surrealism Created by Aleksander Krzywobłocki and Margit Reich-Sielska in the 1930s in Lviv.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 145, doi. 10.3390/arts13050145
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The Fold as a Design Strategy: Analogy between Architecture and Issey Miyake's Work.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 144, doi. 10.3390/arts13050144
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Aesthetics of Afro-Andean Smoking Culture: Early Modern Peruvian Tobacco Pipes at the Edge of the Atlantic World.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 143, doi. 10.3390/arts13050143
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The Author Takes a Bow: A Self-Portrait in Assistenza in the Temple of Hatshepsut at Deir el-Bahari.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 142, doi. 10.3390/arts13050142
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Exploring Artistic Hierarchies among Painters in Ramesside Deir el-Medina.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 141, doi. 10.3390/arts13050141
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Empathy and Listening in Research-Based Theatre.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 140, doi. 10.3390/arts13050140
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Correction: Lončar and Pavlović (2024). "Beyond Quantum Music"—A Pioneering Art and Science Project as a Platform for Building New Instruments and Creating a New Musical Genre. Arts 13: 127.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 139, doi. 10.3390/arts13050139
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A Machine Walks into an Exhibit: A Technical Analysis of Art Curation.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 138, doi. 10.3390/arts13050138
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Art Notions in the Age of (Mis)anthropic AI.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 137, doi. 10.3390/arts13050137
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Constructing British Selfhood through Depictions of China: The Art of the Macartney Embassy.
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- Arts (2076-0752), 2024, v. 13, n. 5, p. 136, doi. 10.3390/arts13050136
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