Works matching IS 20760752 AND DT 2024 AND VI 13 AND IP 2
Results: 35
"Only in The History of the Formation of the Self-Conscious Soul Did Bugaev Reveal His Ideas about Music": Music in the System of Andrei Bely.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 74, doi. 10.3390/arts13020074
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Resonating Reflections: A Critical Review of Ethnosymbolic Dynamics in Les Six's Music Nationalism Movement.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 75, doi. 10.3390/arts13020075
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Yes, It Is Polyphony and a Map: Revisiting the 72 Verses of St. Martial.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 73, doi. 10.3390/arts13020073
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A Child Burial from Kerch: Mortuary Practices and Approaches to Child Mortality in the North Pontic Region between the 4th Century BCE and the 1st/2nd Century CE.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 71, doi. 10.3390/arts13020071
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Queer Nightlife and Contemporary Art Networks: A Study of Artists at the Bar.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 72, doi. 10.3390/arts13020072
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Social Choreography as a Cultural Commoning Practice: Becoming Part of Urban Transformation in Une danse ancienne.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 70, doi. 10.3390/arts13020070
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Correction: Peña Torres (2024). La Liga de la Decencia : Performing 20th Century Mexican History in 21st Century Texas. Arts 13: 47.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 69, doi. 10.3390/arts13020069
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From Leonardo to Caravaggio: Affective Darkness, the Franciscan Experience and Its Lombard Origins.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 68, doi. 10.3390/arts13020068
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"Spaces of Silence" and "Secret Music of the Word": Verbo-Musical Minimalism in the Poetry of Gennady Aygi and Elizaveta Mnatsakanova.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 66, doi. 10.3390/arts13020066
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The Power of Convening: Towards an Understanding of Artist-Led Collective Practice as a Convener of Place.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 67, doi. 10.3390/arts13020067
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The Protection of Monuments and Immoveable Works of Art from War Damage: A Comparison of Italy in World War II and Ukraine during the Russian Invasion.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 65, doi. 10.3390/arts13020065
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Taking the Deer by the Antlers: Deer in Material Culture in the Balkan Neolithic.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 64, doi. 10.3390/arts13020064
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Applied Theatre: Research-Based Theatre, or Theatre-Based Research? Exploring the Possibilities of Finding Social, Spatial, and Cognitive Justice in Informal Housing Settlements in India, or Tales from the Banyan Tree.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 63, doi. 10.3390/arts13020063
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The 60 Years of Queer and Trans Activism and Care Project: Learning to Conduct Archival Research and Write Dramatic Verbatim Monologues.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 62, doi. 10.3390/arts13020062
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Haunted Monasteries: Troubling Indigenous Erasure in Early Colonial Mexican Architecture.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 61, doi. 10.3390/arts13020061
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Replacing Settler Spaces: The Transformational Power of Indigenous Public Art.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 60, doi. 10.3390/arts13020060
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Rethinking Conceptual Parameters of Choreography (in Social Spaces)—Actualization of Intensities in Discursive Fields.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 59, doi. 10.3390/arts13020059
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Violent Raiding, Systematic Slaving, and Sweeping Depopulation? Re-Evaluating the Scythian Impact on Central Europe through the Lens of the Witaszkowo/Vettersfelde Hoard.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 57, doi. 10.3390/arts13020057
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"[...] Un Tout Petit Peu de Dufayel"—Picasso, 1910–1914.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 58, doi. 10.3390/arts13020058
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Interiority, Metamorphosis, and Simone Leigh's Hybrid Cowries.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 56, doi. 10.3390/arts13020056
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"Playing" with Color: How Similar Is the "Geometry" of Color Harmony in the CIELAB Color Space across Countries?
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 53, doi. 10.3390/arts13020053
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Nandanar: Visibilizing Caste in Bharatanatyam Performance.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 55, doi. 10.3390/arts13020055
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Local Fabric: Mid-Century Modernisms, Textile and Fashion Design, and the Northwest Coast, 1940–1967.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 52, doi. 10.3390/arts13020052
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Murals and Graffiti in Ruins: What Does the Art from the Aliko Hotel on Naxos Tell Us?
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 51, doi. 10.3390/arts13020051
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Bridging the Vantage Point of Distance: Reynaldo Rivera and the Visual Legacies of Queer Spectacle across Time and Space.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 54, doi. 10.3390/arts13020054
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Jewish "Ghosts": Judit Hersko and Susan Hiller and the Feminist Intersectional Art of Post-Holocaust Memory.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 50, doi. 10.3390/arts13020050
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Feeling Is First.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 49, doi. 10.3390/arts13020049
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Golden Swords of the Early Nomads of Eurasia: A New Classification and Chronology.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 48, doi. 10.3390/arts13020048
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La Liga de la Decencia : Performing 20th Century Mexican History in 21st Century Texas.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 47, doi. 10.3390/arts13020047
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Gold Artifacts from the Early Scythian Princely Tomb Arzhan 2, Tuva—Aesthetics, Function, and Technology.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 46, doi. 10.3390/arts13020046
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Permission to Cry—Drifts on Research Based Theatre on Top of an Elephant.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 45, doi. 10.3390/arts13020045
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Spanishness and Race in North American Monumental Architecture.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 44, doi. 10.3390/arts13020044
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"Grand Narratives" and "Personal Dramas": (Re)reading the Masterpieces by Artemisia Gentileschi.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 43, doi. 10.3390/arts13020043
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MoMA Goes beyond the Iron Curtain: The Eastern European Tour of The Prints of Andy Warhol.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 42, doi. 10.3390/arts13020042
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Love Rising: The Transformation of Emotions in Contemporary Art.
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- Arts (2076-0752), 2024, v. 13, n. 2, p. 41, doi. 10.3390/arts13020041
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