Results: 40
Arts and Refugees: Multidisciplinary Perspectives (Vol. 2).
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 40, doi. 10.3390/arts13010040
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Im/Materiality in Renaissance Arts.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 39, doi. 10.3390/arts13010039
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The Discursive Power of Digital Popular Art during the Russo-Ukrainian War: Re/Shaping Visual Narratives.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 38, doi. 10.3390/arts13010038
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Viewpoints/Points of View: Building a Transdisciplinary Data Theatre Collaboration in Six Scenes.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 37, doi. 10.3390/arts13010037
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A Distinct Form of Socio-Political and Economic Organization in the Pazyryk Culture.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 36, doi. 10.3390/arts13010036
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Jewelry, Accessories, and Decorative Elements of Women's Funeral Costume of the First Half of the 6th Century BCE in the Territory of Forest-Steppe Scythia.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 35, doi. 10.3390/arts13010035
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Analytical Listening and Aesthetic Experience in Music Criticism.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 34, doi. 10.3390/arts13010034
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Correction: Charitonidou (2021). Exhibitions in France as Symbolic Domination: Images of Postmodernism and the Cultural Field in the 1980s. Arts 10: 14.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 33, doi. 10.3390/arts13010033
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Affect and Commemoration Atop the Pedestal.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 32, doi. 10.3390/arts13010032
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Speech Melody Research as the Interdisciplinary Foundation of the Petrograd Institute of the Living Word.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 31, doi. 10.3390/arts13010031
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Kubism™: Picasso, Trademarks and Bouillon Cube.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 30, doi. 10.3390/arts13010030
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The Complexity of Colour/Textile Interaction in Digital Printing as an Integral Part of Environmental Design.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 29, doi. 10.3390/arts13010029
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Choreographing Social Memories: Healing and Collective Imagining in Eiko Otake and Wen Hui's Artistic Collaboration.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 28, doi. 10.3390/arts13010028
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Sacralizing the Playful Secular: The Deity of Karuta -Gambling at the Nose Kannon Hall in Sannohe, Aomori.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 27, doi. 10.3390/arts13010027
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Reflecting Picasso in Glass.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 26, doi. 10.3390/arts13010026
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Art, Affect, and Enslavement: The Song of the Oxcart in Colonial Dutch Brazil.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 25, doi. 10.3390/arts13010025
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White Atmospheres: Choreographing Racial Materialities in Academic Space.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 24, doi. 10.3390/arts13010024
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Hungarian Representative Exhibitions and the Rhetoric of Display in the 1920s.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 23, doi. 10.3390/arts13010023
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Introduction: The New Face of Trans Visual Culture.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 22, doi. 10.3390/arts13010022
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To Touch Time: U.S. Black Feminist Modernist Sculpture in the 1970s and 1980s.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 21, doi. 10.3390/arts13010021
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Potnia's Participants: Considering the Gala , Assinnu , and Kurgarrû in an Aegean Context.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 20, doi. 10.3390/arts13010020
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State Strategy of International Art Exhibitions in Interwar Lithuania 1918–1940.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 19, doi. 10.3390/arts13010019
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Learning to Speak Chinese: Defining the Sino-American Film Paradigm.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 18, doi. 10.3390/arts13010018
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Photography without Pictures.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 17, doi. 10.3390/arts13010017
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The 'Assetization' of Art on an Institutional Level—Fractional Ownership Implemented in the Royal Museum of Fine Arts Antwerp.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 16, doi. 10.3390/arts13010016
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How to Choreograph a Socialist Society?
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 15, doi. 10.3390/arts13010015
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The Western Artist in Stalin's Moscow: The Case of Albin Amelin.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 14, doi. 10.3390/arts13010014
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Temple of Death! The Sight of You Chills Our Hearts —Ruminations on Affect in Architecture.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 13, doi. 10.3390/arts13010013
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Revising the Noir Formula in the Chinese Context: Black Coal, Thin Ice and Beyond.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 12, doi. 10.3390/arts13010012
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Dialogue between the Concept of the Object in the Theater of Tadeusz Kantor and the Theatrical Praxis of the Periférico de Objetos.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 11, doi. 10.3390/arts13010011
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Choreographing Multiraciality: Mixed-Race Methods in North American Contemporary Dance.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 10, doi. 10.3390/arts13010010
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Connection: Digitally Representing Australian Aboriginal Art through the Immersive Virtual Museum Exhibition.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 9, doi. 10.3390/arts13010009
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Painful Images: Ukraine 1993, 2014, and 2022.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 8, doi. 10.3390/arts13010008
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The Janus Face of Polish Cultural Diplomacy in Paris during the Khrushchev Thaw.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 7, doi. 10.3390/arts13010007
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The Musicalization of Prose and Poetry in the Oeuvre of Daniil Kharms.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 6, doi. 10.3390/arts13010006
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Hans Namuth's Photographs and Film Studies of Jackson Pollock: Transforming American Postwar Avant-Garde Labor into Popular Consumer Spectacle.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 5, doi. 10.3390/arts13010005
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Trauma Responses in Social Choreography: Accessing Agency and Opportunities for Healing through Mindful Embodiment.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 4, doi. 10.3390/arts13010004
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Cut, Copy, Paste: Yu Youhan and the Refashioning of China's Past.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 3, doi. 10.3390/arts13010003
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Performing Yuánfèn : An Exploration of Untranslatable Words in the Lacunae Project.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 2, doi. 10.3390/arts13010002
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State Murals, Protest Murals, Conflict Murals: Evolving Politics of Public Art in Ukraine.
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- Arts (2076-0752), 2024, v. 13, n. 1, p. 1, doi. 10.3390/arts13010001
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