Works matching IS 20760752 AND DT 2023 AND VI 12 AND IP 1
Results: 39
Getting Noticed by Many: On the Transformations of the Popular.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 39, doi. 10.3390/arts12010039
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Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 38, doi. 10.3390/arts12010038
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Gothic Drawing and Drawings in the Gothic Tradition in the Iberian Peninsula (13th–18th Centuries).
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 37, doi. 10.3390/arts12010037
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Grounding the Landscape: Epistemic Aspects of Materiality in Late-Nineteenth-Century American Open-Air Painting.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 36, doi. 10.3390/arts12010036
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Not Only a Matter of Electricity–Rethinking Materiality with Victor Grippo's Energía de una papa (1972).
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 35, doi. 10.3390/arts12010035
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Inspirations and Traces in the Works of Pál Frenák.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 34, doi. 10.3390/arts12010034
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Cowboys: Abstract Expressionism, Hollywood Westerns, and American Progress.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 33, doi. 10.3390/arts12010033
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Ari Folman's Made in Israel (2001): Traces of Trauma in the Israeli Cinema Landscape.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 32, doi. 10.3390/arts12010032
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The Semiotics of Willem de Kooning's Easter Monday.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 31, doi. 10.3390/arts12010031
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Artistic Responses to Crossing the Kālā Pānī.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 30, doi. 10.3390/arts12010030
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Deer or Horses with Antlers? Wooden Figures Adorning Herders in the Altai.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 29, doi. 10.3390/arts12010029
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"Animal-Style Art," and Special Finds at Iron Age Settlements in Southeastern Kazakhstan: Chronology, Trade, and Networks during the Iron Age.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 28, doi. 10.3390/arts12010028
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What Is It Like for You? Rethinking Voice Appropriation in Parafictional Identities in Israeli Art.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 27, doi. 10.3390/arts12010027
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Animal Imagery in Eastern Han Tomb Reliefs from Shanbei 陝北.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 26, doi. 10.3390/arts12010026
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Questioning the NFT "Revolution" within the Art Ecosystem.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 25, doi. 10.3390/arts12010025
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Intimacy and Darkness: Feminist Sensibility in (Post)socialist Art.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 24, doi. 10.3390/arts12010024
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The Saka 'Animal Style' in Context: Material, Technology, Form and Use.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 23, doi. 10.3390/arts12010023
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Representations of Hulk Hogan in the 1980s: Christianity, Masculinity, Xenophobia.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 22, doi. 10.3390/arts12010022
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Crime as Pop: Gangsta Rap as Popular Staging of Norm Violations.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 21, doi. 10.3390/arts12010021
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Olga Albizu's Lyrical Abstraction and the Borders of the Canvas.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 20, doi. 10.3390/arts12010020
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Siberian Animal Style: Stylistic Features as Generic Indication.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 19, doi. 10.3390/arts12010019
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The Construction and Functional Technology of Scythian Greaves: A Recent Find from the Elite Kurgan 6 near the Village Vodoslavka, Southern Ukraine.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 18, doi. 10.3390/arts12010018
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This Country Ain't Low—The Country Music of Dolly Parton and Johnny Cash as a Form of Redistributive Politics.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 17, doi. 10.3390/arts12010017
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A Lived Experience—Immersive Multi-Sensorial Art Exhibitions as a New Kind of (Not That) 'Cheap Images'.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 16, doi. 10.3390/arts12010016
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How to Enhance Perception of Reassembled but Incomplete Works of Ancient Art? Eye-Tracking Study of Virtual Anastylosis.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 15, doi. 10.3390/arts12010015
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Earthly Beasts and Heavenly Creatures: Animal Realms in Early Medieval Chinese Tombs and Cave Temples.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 14, doi. 10.3390/arts12010014
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Acknowledgment to the Reviewers of Arts in 2022.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 13, doi. 10.3390/arts12010013
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From Ornament to Building Material: Revisiting the Aesthetics and Function of Green Architecture.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 12, doi. 10.3390/arts12010012
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Introduction for Special Issue 'Autotheory in Contemporary Visual Arts Practice'.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 11, doi. 10.3390/arts12010011
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Avant-Garde versus Tradition, a Case Study—Archaic Ritual Imagery in Malevich: The Icons, the Radical Abstraction, and Byzantine Hesychasm.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 10, doi. 10.3390/arts12010010
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Adam Kraft's Moving Sandstones.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 9, doi. 10.3390/arts12010009
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"And People Shall Be Contaminated by My Doctrine": Religion, Science, and Nationalism in Assi Meshullam's Order of the Unclean.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 8, doi. 10.3390/arts12010008
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Western Message Petroglyphs: A Faux Indian Picture-Writing Project in the American West.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 7, doi. 10.3390/arts12010007
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On Feminist Aesthetics and Anti-Propaganda in Russia.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 6, doi. 10.3390/arts12010006
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Watch Out for the Skin Deep: Medieval Icelandic Transformations.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 5, doi. 10.3390/arts12010005
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The Image of Women Architects in Films, 1912–1943: New Careers and Stereotyped Femininities.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 4, doi. 10.3390/arts12010004
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Strange Creatures of Chu: A Regional Approach to Antlered Tomb Sculptures.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 3, doi. 10.3390/arts12010003
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The Strangest Music in the World: Self-Supervised Creativity and Nostalgia for the Future in Robotic Rock Band "The Three Sirens".
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 2, doi. 10.3390/arts12010002
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Andy Warhol's Silver Liz at the International Celebration of the U.S. Bicentennial in 1976.
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- Arts (2076-0752), 2023, v. 12, n. 1, p. 1, doi. 10.3390/arts12010001
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