THE FIRST ROMANIAN ACADEMIC GAME JAM – THE SYSTEMATIZATION OF THE WORKING PROCESS.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 129, doi. 10.37130/qbmz8z85
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Works matching IS 20684444 AND DT 2024 AND VI 29 AND IP 2
Results: 19
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THOMAS VINTERBERG OR THE TENSION BETWEEN NORMATIVE DOGMATISM AND AESTHETIC LIBERATION. AN ANALYSIS FROM THE PERSPECTIVE OF NARRATIVE STRUCTURE.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 212, doi. 10.37130/9rr77m23
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- Article
3
THE PAINFUL MEMORY OF MOLDOVA – THE BOOK OF FAMINE.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 243, doi. 10.37130/jpdkdg18
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- Article
4
THE MYSTERIOUS CRIN TEODORESCU.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 229, doi. 10.37130/6j1xfp62
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- Article
5
THE IMPACT OF AI IN THE FIELD OF SOUND FOR PICTURE. A HISTORICAL, PRACTICAL, AND ETHICAL CONSIDERATION.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 112, doi. 10.37130/bf780v59
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6
THE GESTURE AND THE BODY: RETHINKING SOME OF THE BASIC APPROACHES TO ACTING IN THE HISTORICAL AVANT-GARDE.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 175, doi. 10.37130/ncacva56
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7
THE RECEPTION OF ATTIC DRAMA IN MODERN TIMES: AN OUTLINE.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 2, doi. 10.37130/32wews53
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- Article
8
THE BOOK AS A JOURNEY: AUGUST STRINDBERG. THE ANATOMY OF ESSENTIAL CHARACTERS.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 236, doi. 10.37130/n6wzcg62
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- Article
9
ΤHE ADVENTUROUS RECEPTION OF GALATEA KAZANTZAKIS IN THE INTERWAR PERIOD.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 31, doi. 10.37130/9zm74514
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10
PSYCHOLOGICAL MECHANISMS IN CHEKHOV.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 196, doi. 10.37130/2kg29m63
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11
PHOTOGRAPHY IN THE LIGHT OF AI-GENERATED IMAGES.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 160, doi. 10.37130/0xnx6h41
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12
MASTERCLASS WITH DECLAN DONELLAN AND NICK ORMEROD FOR THE ACADEMIC COMMUNITY OF I.L. CARAGIALE UNATC IN BUCHAREST.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 256
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- Article
13
III. COLLOQUIUM.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 252
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- Article
14
ELLI PAPADIMITRIOU’S KOINOS LOGOS (COMMON DISCOURSE) – NARRATING COLLECTIVE TRAUMA ON STAGE.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 58, doi. 10.37130/sythf992
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- Article
15
NSULARITY AND BEING AN ISLANDER IN ANCIENT GREEK THEATRICAL LITERATURE.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 48, doi. 10.37130/2jgq7f87
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16
FROM THE SMALL VILLAGE COMMUNITY TO THE INACCESSIBLE LAND OF POSTMODERNISM: PAPADIAMANTI’S THE MURDERESS AND H. MÜLLER’S MEDEA MATERIAL.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 17, doi. 10.37130/z9rbaq62
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17
CLOUDED CONSCIOUSNESS: SAND AS A COMMUNICATION INTERFACE BETWEEN INTERACTIVE TECHNOLOGIES AND THE SUBCONSCIOUS MIND (PART I).
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 143, doi. 10.37130/f00xn458
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18
AI-GENERATED IMAGES AND INFLUENCES ON SCENOGRAPHIC DESIGN.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 85, doi. 10.37130/kjg4pr54
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19
A CASE OF RECEPTION OF THE ANCIENT GREEK MEDEA OF EURIPIDES: WHEN MEDEA OF EURIPIDES MEETS MEDEA OF ANOUILH AND OF BOSTANTZOGLOU.
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- Concept (2248-3756), 2024, v. 29, n. 2, p. 73, doi. 10.37130/cqsp0064
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- Article