The Power of Creative Freedom through Filmmaking.
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- Concept (2248-3756), 2024, v. 28, n. 1, p. 202
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- Article
Works matching IS 20684444 AND DT 2024 AND VI 28 AND IP 1
Results: 15
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EL TEATRO COMO UN ACONTECIMIENTO PEDAGÓGICO DE JUAN CAMPESINO.
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- Concept (2248-3756), 2024, v. 28, n. 1, p. 196, doi. 10.37130/q4zpjf90
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- Article
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ON WHAT LACKS IN CURRENT FILM THEORY.
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- Concept (2248-3756), 2024, v. 28, n. 1, p. 189, doi. 10.37130/k7ea5c64
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- Article
4
"ESCENAS POLÍTICAS" EN LA ERA DE LA POSPOLÍTICA: CARTOGRAFIANDO EL AUGE DE LO POLÍTICO EN LA ESCENA CONTEMPORANEA DE SANTIAGO.
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- Concept (2248-3756), 2024, v. 28, n. 1, p. 181, doi. 10.37130/v2gkz854
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- Article
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SCREENWRITING, INDUSTRY, AND POWER.
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- Concept (2248-3756), 2024, v. 28, n. 1, p. 174, doi. 10.37130/93ab8416
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- Article
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COMMUNICATION, TRUST AND IMAGINATION. WAYS TO UNDERSTAND THE RELATIONSHIP BETWEEN DIRECTOR AND ACTOR.
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- Concept (2248-3756), 2024, v. 28, n. 1, p. 159, doi. 10.37130/jwwfng18
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ANALYZING THE DISTINCTIONS: FILM SETS VS. STAGE PLATFORMS - INVESTIGATING THE SUBTLE DIFFERENCES BETWEEN THEATRE AND FILM.
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- Concept (2248-3756), 2024, v. 28, n. 1, p. 139, doi. 10.37130/m00rv431
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- Article
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FILMMAKING AS "MEANING-MAKING" ACTIVITY: ROBERT KEGAN'S DEVELOPMENTAL THEORY AND ITS IMPLICATIONS FOR TRAINING FILM DIRECTING STUDENTS.
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- Concept (2248-3756), 2024, v. 28, n. 1, p. 120, doi. 10.37130/ywzkn622
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- Article
9
HOW THE DIGITAL MEDIUM CHANGES THE PERCEPTION OF FILMMAKING. NEW SUBCONSCIOUS "READINGS" OF A MOVING IMAGE.
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- Concept (2248-3756), 2024, v. 28, n. 1, p. 108, doi. 10.37130/9wx54t39
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TEATRO: MIRADA, DISTANCIA Y CONCIENCIA. HACIA UN MODELO DE ANÁLISIS (IMPOSIBLE) PARA EL TEATRO CONTEMPORÁNEO.
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- Concept (2248-3756), 2024, v. 28, n. 1, p. 2, doi. 10.37130/e6m1nh89
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BODIES OF ABSENCE: ANALYSIS OF THE REPRESENTATION OF FAMILY GRIEF IN THE FACE OF THE ABDUCTION OF DAUGHTERS IN RUIDO (NATALIA BERISTÁIN, 2022) AND POROROCA (CONSTANTIN POPESCU, 2017).
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- Concept (2248-3756), 2024, v. 28, n. 1, p. 75, doi. 10.37130/76dsd965
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12
DOCUMENTARY OBJECTS, TEXTUAL MATERIALS, AND PERFORMATIVE TESTIMONY IN MEMORY RECONSTRUCTION - MI VIDA DESPUÉS (2009) BY LOLA ARIAS.
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- Concept (2248-3756), 2024, v. 28, n. 1, p. 53, doi. 10.37130/a11rvm56
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LINE OF DESIRE. THE WORK OF OMAR MATADAMAS SEEN THROUGH CORPOREALITY AND THE PHILOSOPHY OF EVENT.
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- Concept (2248-3756), 2024, v. 28, n. 1, p. 33, doi. 10.37130/h11t1t21
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14
MEMORY, REAL AND SUBJECTIVITY IN THE CONTEMPORARY LATIN AMERICAN SCENE.
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- Concept (2248-3756), 2024, v. 28, n. 1, p. 18, doi. 10.37130/4zj5nm75
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15
FEMINISMS: THE TIDE TO COME.
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- Concept (2248-3756), 2024, v. 28, n. 1, p. 93, doi. 10.37130/q5yhpp35
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- Article