INTERVIU CU AUTOAREA ȘI REGIZOAREA ALEXANDRA BADEA: Scriu plecând de la un subiect care îmi creează un impuls de violență și care mă revoltă.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 292
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Works matching IS 20684444 AND DT 2022 AND VI 24 AND IP 1
Results: 24
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INTERVIEW WITH AUTHOR AND DIRECTOR ALEXANDRA BADEA: I write starting from a topic that creates an impulse of violence and that revolts me.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 302
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TEATRALITATEA EXTINSĂ - O CALE ORIGINALĂ ÎN TEATRUL ACTUAL.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 286
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CÓMO NACIÓ EL LIBRO HISTORIAS DE ACTORES. UN RECORRIDO POR EL MUNDO TEATRAL Y CINEMATOGRÁFICO.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 274
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TEATRUL ROMÂNO-CANADIAN SCHIMBURI CULTURALE ȘI STRATEGII MANAGERIALE.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 270
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THE DIVERSITY AND ENERGY OF THE EASTERN EUROPEAN THEATRE.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 264
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THE GREATEST ELIZABETHAN PLAYWRIGHT REVISITED - WILLIAM SHAKESPEARE.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 257
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AVERAGE SHOT LENGTH IN THE POST-2000 ROMANIAN FILM. COMPARISON WITH OTHER MOVEMENTS IN EUROPEAN CINEMA.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 245
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THE MYTH'S WAY BACK INTO THE BODY. A VISUAL ANALYSIS OF THE ANTI-WAR FILM.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 228
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EXPRESSIONS OF EMOTIONS THROUGH THE COLOUR BLUE: ANDREI TARKOVSKY'S SOLARIS AND ANDREI ZVYAGINTSEV'S THE RETURN.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 36
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RECONTEXTUALIZING THE ICONOGRAPHY OF WAR IN CONTEMPORARY AMERICAN CULTURE THROUGH THE NARRATIVE AND THERAPEUTIC DIMENSION OF IMMERSIVE INTERACTIVE MEDIA.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 215
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HÉCTOR MENDOZA, CONTINUATORUL METODEI LUI STANISLAVSKI ÎN MEXIC.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 181
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RECLAIMING THE NATURAL COMPONENT THROUGH THEATER GAMES.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 167
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MONTESSORI, FREINET ȘI JOCURILE TEATRALE LA PACIENȚII CU DEMENȚĂ. STUDIU DE CAZ.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 141
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FROM THE ABSURD THEATRE OF SAMUEL BECKETT TO THE FIGURATIVE AESTHETICS OF POP ART CULTURE.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 128
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ESSENTIAL STAGE MOVEMENT IN THEATRE DIRECTING.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 197
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MYTH CARRYING MATTER AND ITS SCENOGRAPHIC POTENTIAL. THE NEW SACRALITY OF IMMEDIATE REALITY.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 26
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CRACKING THE ART MATRIX. IS INSTAGRAM A PERMISSIVE ENVIRONMENT FOR SUBVERSIVE ART?
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 77
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THE RECEPTION OF THE MYTH OF ALCESTIS IN ALCESTIS OF EURIPIDES AND IN ALCESTIS AND SWEET DREAMS OF ANDREAS STAIKOS.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 58
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THE CONTRIBUTION OF THE ROMANIAN CULTURAL SOCIETIES OF SIBIU IN SHAPING THE LOCAL AUDIENCE.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 45
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SFÂRȘITUL EPOCII EXCEPȚIONALISMULUI UMAN ÎN SPECTACOLUL LIVE.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 117
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SHADOWS OF YORICK.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 90
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MYTHOLOGIZING THE POLITICAL GESTURE, A VECTOR OF MYTH PERPETUATION IN CONTEMPORARY SOCIETY. THE DANCE OF REALITY AND ALEJANDRO JODOROWSKY.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 18
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MACBETH, CONTEMPORANUL NOSTRU. ÎNTRE PARABOLA POLITICĂ ȘI IMAGISTICA MEDIEVALĂ.
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- Concept (2248-3756), 2022, v. 24, n. 1, p. 2
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