Simona Șomăcescu's Books Under the Ancient Precept: „Beauty is Truth, Truth Beauty”.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 227
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- Article
Works matching IS 20684444 AND DT 2020 AND VI 21 AND IP 2
Results: 25
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Studiu de caz privind evoluția estetică a noului cinema de la Marfa și banii la Aferim!.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 216
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- Article
3
Filmmaking on a Smartphone.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 174
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4
„Sunt mici revoluții care ar putea fi făcute care ne-ar ajuta pe toți să nu rămânem în negura timpului.”.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 262
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- Article
5
„Toată viața m-am abătut de la șoseaua principală”.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 241
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6
Mihaela Beţiu despre performanţa actorului în spaţiul dintre normă şi abatere.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 235
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7
Radu Olăreanu – 14 steps of the Actor Character Towards the Character… of the Spectator.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 230
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8
Entrepreneurship and Management in Early American and French Cinemas. Comparative Study.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 180
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9
Playing with the Fire of Creation – Werner Herzog.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 192
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10
The Consumption of Cinema During the COVID-19 Pandemic.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 203
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11
Parallel between Film and Theatre Music.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 157
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12
Ibsen and Naturalistic Theatre Workshop at the Higher School of Dramatic Art (ESAD) in Asturias, Spain – an Erasmus-based research.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 147
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13
Proxemic Filmic Manifestation. A Possible Interpretation of the Functions of Shot Dimension.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 167
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14
Arta actorului între jocul „ascuns” şi cel „deschis” în raport cu publicul.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 137
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15
Rolul tehnicilor teatrale în procesul de autocunoaştere.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 124
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16
Vocea actorului nu intră în lockdown.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 111
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17
Improvisation – Freedom and Rigour in Theatre Pedagogy.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 99
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- Article
18
La communication dans la diplomatie culturelle: au-delà des clichés institutionnels Étude de cas: La Saison France-Roumanie.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 90
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19
Imitation, empathie, communication – les composantes de l’expérience du spectateur.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 81
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20
Creativity, the Engine of Artistic Research.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 69
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21
Can the Art of the Actor or Theatre Be Correlated with Moral Good or Moral Evil?
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 57
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22
How to Write a Brechtian Article on Brecht (Part II).
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 40
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23
Online Learning between Movement and Stillness (The Use of Nonverbal Theatre Games in Online Education).
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 27
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24
Teatrul online nu s-a inventat în pandemie.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 13
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25
Resilience of Theatrical Institutions in Pandemic Times. Excelsior Theatre in Bucharest – A Case Study.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 4
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