"Tattered Photograph": Challenges to Postmemory in Jonathan Safran Foer's Everything Is Illuminated.Published in:[Inter]sections, 2018, n. 21, p. 104By:Ambrosie, Ştefan IonescuPublication type:Article
Indelible Race Memories and Subliminal Epigenetics in Octavia Butler's Kindred.Published in:[Inter]sections, 2018, n. 21, p. 86By:Dutta, SuchismitaPublication type:Article
Victims in the Limelight: Subverting Abuse Tropes in Lynn Nottage's Ruined.Published in:[Inter]sections, 2018, n. 21, p. 68By:Basalic, Laura MihaelaPublication type:Article
The Possibility of Resistance within The Rhizomatics of Cyberspace: William Gibson's Neuromancer.Published in:[Inter]sections, 2018, n. 21, p. 50By:Nebioğlu, Rahime ÇokayPublication type:Article
Scarring Thoughts: Harry Potter and the Neoliberal Education Reform.Published in:[Inter]sections, 2018, n. 21, p. 26By:Heffernan, Amanda;Brabazon, Tara;Heffernan, TroyPublication type:Article
Towards a Politics of Failure: John Williams' Stoner (1965) and Butcher's Crossing (1960).Published in:[Inter]sections, 2018, n. 21, p. 1By:Rowcroft, AndrewPublication type:Article