The Exiled Film Author and the Cinema of Exile.
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- Ekphrasis (2067-631X), 2020, v. 23, n. 1, p. 129
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- Publication type:
- Article
Works matching IS 2067631X AND DT 2020 AND VI 23 AND IP 1
Results: 10
1
2
Interview Hanno Höfer -- Often on the Road.
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- Ekphrasis (2067-631X), 2020, v. 23, n. 1, p. 123, doi. 10.24193/ekphrasis.23.9
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- Article
3
Romanian Diasporic Cinema. Dislocation and Paraphrastic Forms of Expression in Recent Migration Films.
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- Ekphrasis (2067-631X), 2020, v. 23, n. 1, p. 100, doi. 10.24193/ekphrasis.23.8
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- Article
4
Formal and Conceptual Border-Crossing in Crulic--drumul spre dincolo (Crulic--The Path to Beyond, 2011).
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- Ekphrasis (2067-631X), 2020, v. 23, n. 1, p. 87, doi. 10.24193/ekphrasis.23.7
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- Article
5
The Sudetes in Czech Cinema -- a Political Space Trapped by National and Class Stereotypes.
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- Ekphrasis (2067-631X), 2020, v. 23, n. 1, p. 72, doi. 10.24193/ekphrasis.23.6
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- Article
6
Filmic Migration and Wandering Sounds: The Relation Between Accented and Dialect Cinema.
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- Ekphrasis (2067-631X), 2020, v. 23, n. 1, p. 62, doi. 10.24193/ekphrasis.23.5
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- Publication type:
- Article
7
Towards a Multicultural Community. The Accommodation of Ethnic and Religious Minorities in the 'Migrant Comedy' Genre.
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- Ekphrasis (2067-631X), 2020, v. 23, n. 1, p. 50, doi. 10.24193/ekphrasis.23.4
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- Article
8
A Tiny Boat Lost at Sea: Trauma and Ethics in Havarie [Collision] by Philip Scheffner (Germany, 2016).
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- Ekphrasis (2067-631X), 2020, v. 23, n. 1, p. 29, doi. 10.24193/ekphrasis.23.3
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- Article
9
Dis/Orienting the Border: The Poetics of Disorientation in Avant-Garde Accented Narratives.
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- Ekphrasis (2067-631X), 2020, v. 23, n. 1, p. 12, doi. 10.24193/ekphrasis.23.2
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- Article
10
Poetics of the Borders: Meeting Points and Representational Border-Crossings in Contemporary Central and Eastern European Cinema.
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- Ekphrasis (2067-631X), 2020, v. 23, n. 1, p. 5, doi. 10.24193/ekphrasis.23.1
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- Publication type:
- Article