Cinematic Hybridity: Graphic Design and the End Title Sequence.
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- Ekphrasis (2067-631X), 2019, v. 22, n. 2, p. 169, doi. 10.24193/ekphrasis.22.10
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- Article
Works matching IS 2067631X AND DT 2019 AND VI 22 AND IP 2
Results: 11
1
2
Seriality in Transmedia Storytelling: A Case Study of Halo.
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- Ekphrasis (2067-631X), 2019, v. 22, n. 2, p. 152, doi. 10.24193/ekphrasis.22.9
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- Article
3
Developing a Media Hybridization based on Interactive Narrative and Cinematic Virtual Reality.
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- Ekphrasis (2067-631X), 2019, v. 22, n. 2, p. 131, doi. 10.24193/ekphrasis.22.8
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- Article
4
Psycho Dressed Again. Intramedial Adaptation between Tacit Reworking and Mould.
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- Ekphrasis (2067-631X), 2019, v. 22, n. 2, p. 94, doi. 10.24193/ekphrasis.22.6
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- Article
5
Harry Potter and the Battle of Adaptation.
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- Ekphrasis (2067-631X), 2019, v. 22, n. 2, p. 113, doi. 10.24193/ekphrasis.22.7
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- Article
6
"I tell, therefore you are": Identity in The Handmaid's Tale. A comparison between the novel and the series.
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- Ekphrasis (2067-631X), 2019, v. 22, n. 2, p. 73, doi. 10.24193/ekphrasis.22.5
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- Article
7
From "Flowery Expression" to Floral Motif: Adapting Discordant Narration in Sarah Polley's Away from Her.
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- Ekphrasis (2067-631X), 2019, v. 22, n. 2, p. 54, doi. 10.24193/ekphrasis.22.4
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- Article
8
Residual Humanities: From the Cultural Déjà Vu to Reclaimed Narrations.
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- Ekphrasis (2067-631X), 2019, v. 22, n. 2, p. 6, doi. 10.24193/ekphrasis.22.1
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- Article
9
Her (Spike Jonze, 2013): Digital Romance and Post-cinema.
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- Ekphrasis (2067-631X), 2019, v. 22, n. 2, p. 41, doi. 10.24193/ekphrasis.22.3
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- Article
10
The Transmediation of Ambivalence. Violence and Music in Burgess's A Clockwork Orange and Kubrick's Film Adaptation.
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- Ekphrasis (2067-631X), 2019, v. 22, n. 2, p. 26, doi. 10.24193/ekphrasis.22.2
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11
Foreword.
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- Ekphrasis (2067-631X), 2019, v. 22, n. 2, p. 5
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- Article