Matters of Time in László Krasznahorkai's and Béla Tarr's Satantango.
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- Ekphrasis (2067-631X), 2018, v. 20, n. 2, p. 213, doi. 10.24193/ekphrasis.20.13
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- Article
Works matching IS 2067631X AND DT 2018 AND VI 20 AND IP 2
Results: 13
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Figures extatiques dans Teorema de Pasolini. Séduction et médiation.
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- Ekphrasis (2067-631X), 2018, v. 20, n. 2, p. 181, doi. 10.24193/ekphrasis.20.11
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- Article
3
Cinéma, philosophie de l'autorité, neurosciences : Paradis pour tous.
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- Ekphrasis (2067-631X), 2018, v. 20, n. 2, p. 195, doi. 10.24193/ekphrasis.20.12
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- Article
4
Spectator Perspectives in Virtual Reality Cinematography. The Witness, the Hero and the Impersonator.
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- Ekphrasis (2067-631X), 2018, v. 20, n. 2, p. 168, doi. 10.24193/ekphrasis.20.10
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- Article
5
Mission Objective: Carry the White Man's Burden to Outer Space -- The Gamification of Colonization in Dead Space.
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- Ekphrasis (2067-631X), 2018, v. 20, n. 2, p. 157, doi. 10.24193/ekphrasis.20.9
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- Article
6
Romanian Silent Films from the 20s and the European Aesthetic Canon: Rhetorical Figures and Cognitive Markers.
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- Ekphrasis (2067-631X), 2018, v. 20, n. 2, p. 147, doi. 10.24193/ekphrasis.20.8
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- Article
7
This is Not a Film You Are Watching. Corneliu Porumboiu's Non-Cinematic Stylistics and the Visceral-Conceptual Cinema.
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- Ekphrasis (2067-631X), 2018, v. 20, n. 2, p. 111, doi. 10.24193/ekphrasis.20.6
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- Article
8
Methodology as Teleology: The Economy of Secrets and Drama as Critique of Systems in the Works of Vince Gilligan and Noah Hawley.
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- Ekphrasis (2067-631X), 2018, v. 20, n. 2, p. 133, doi. 10.24193/ekphrasis.20.7
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- Article
9
Some Traits of Cognitivism in American Ruminations on Visual Arts.
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- Ekphrasis (2067-631X), 2018, v. 20, n. 2, p. 98, doi. 10.24193/ekphrasis.20.5
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- Article
10
The Control Cycle Cognitive Model in Biology, Film and Culture.
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- Ekphrasis (2067-631X), 2018, v. 20, n. 2, p. 63, doi. 10.24193/ekphrasis.20.4
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11
Quand le langage cinématographique (s')éclate : le langage cinématographique comme langage ordinaire.
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- Ekphrasis (2067-631X), 2018, v. 20, n. 2, p. 5, doi. 10.24193/ekphrasis.20.1
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12
Cinéma et psychologie cognitive : le «tournant corporel» des études audiovisuelles.
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- Ekphrasis (2067-631X), 2018, v. 20, n. 2, p. 20, doi. 10.24193/ekphrasis.20.2
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13
Meaning and Film: Setting the Agenda for an Embodied Cognitive Approach.
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- Ekphrasis (2067-631X), 2018, v. 20, n. 2, p. 40, doi. 10.24193/ekphrasis.20.3
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- Article