The Civil War and Revolution in Stalinist Films. Cult Films, Evasiveness and Clichés.
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- Ekphrasis (2067-631X), 2017, v. 18, n. 2, p. 120, doi. 10.24193/ekphrasis.18.9
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- Article
Works matching IS 2067631X AND DT 2017 AND VI 18 AND IP 2
Results: 9
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Children of Revolution. The Re-inventing of History in Contemporary Hungarian and Romanian Cinema. A case study.
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- Ekphrasis (2067-631X), 2017, v. 18, n. 2, p. 108, doi. 10.24193/ekphrasis.18.8
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- Article
3
A Figure of Transgression in Literature, Theatre, and Cinema: Aglaja.
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- Ekphrasis (2067-631X), 2017, v. 18, n. 2, p. 93, doi. 10.24193/ekphrasis.18.7
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- Article
4
The New Musselman. Figures on the Threshold, Ethics of the Contact Zones and The Renewed Possibility of History.
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- Ekphrasis (2067-631X), 2017, v. 18, n. 2, p. 78, doi. 10.24193/ekphrasis.18.6
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- Article
5
"We are not like you" Imaginations of the Rural-Urban Dichotomy in Eastern European Queer-themed Cinema.
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- Ekphrasis (2067-631X), 2017, v. 18, n. 2, p. 62, doi. 10.24193/ekphrasis.18.5
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- Article
6
Transmediation or Media Representation? Media Transformation in Recent Eastern European Films.
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- Ekphrasis (2067-631X), 2017, v. 18, n. 2, p. 47, doi. 10.24193/ekphrasis.18.4
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- Article
7
The Politics of Images. Critical Approach and Documentary Experimentations in Harun Farocki and Andrei Ujică Videogramme einer Revolution (Videograms of a Revolution, Germany, 1992).
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- Ekphrasis (2067-631X), 2017, v. 18, n. 2, p. 29, doi. 10.24193/ekphrasis.18.3
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- Article
8
Stranger than Paradise: Postcommunist Immigration in the Eyes of Self and 'Other'.
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- Ekphrasis (2067-631X), 2017, v. 18, n. 2, p. 14, doi. 10.24193/ekphrasis.18.2
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9
Comparing Waves. Cultural and Aesthetic Similarities between Recent Romanian and Hungarian Cinemas.
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- Ekphrasis (2067-631X), 2017, v. 18, n. 2, p. 4, doi. 10.24193/ekphrasis.18.1
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- Article