"You bet she can fuck" - Trends in Female AI Narratives within Mainstream Cinema: Ex Machina and Her.
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- Ekphrasis (2067-631X), 2017, v. 17, n. 1, p. 85, doi. 10.24193/ekphrasis.17(1).6
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Works matching IS 2067631X AND DT 2017 AND VI 17 AND IP 1
Results: 10
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The Kitchen as Cinematic Topoi.
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- Ekphrasis (2067-631X), 2017, v. 17, n. 1, p. 135, doi. 10.24193/ekphrasis.17(1).10
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- Article
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Monographist! Monographist!
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- Ekphrasis (2067-631X), 2017, v. 17, n. 1, p. 132, doi. 10.24193/ekphrasis. 17(1 ).9
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- Article
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The Role of Technology in Survival Movies.
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- Ekphrasis (2067-631X), 2017, v. 17, n. 1, p. 119, doi. 10.24193/ekphrasis.17(1).8
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- Article
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Science fiction films as gedanken experiments.
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- Ekphrasis (2067-631X), 2017, v. 17, n. 1, p. 99, doi. 10.24193/ekphrasis.17(1).7
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- Article
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Ex-Machina and the Feminine Body through Human and Posthuman Dystopia.
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- Ekphrasis (2067-631X), 2017, v. 17, n. 1, p. 67, doi. 10.24193/ekphrasis.17(1).5
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- Article
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Dolls, Offsprings, and Automata. Analyzing the Posthuman Experience in Ghost in the Shell 2: Innocence.
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- Ekphrasis (2067-631X), 2017, v. 17, n. 1, p. 45, doi. 10.24193/ekphrasis.17(1).4
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- Article
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Body Upload 2.0: Downloadable Cosmetic [Re]Birth.
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- 2017
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- Book Review
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The Ghost in the Cinema Machine.
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- Ekphrasis (2067-631X), 2017, v. 17, n. 1, p. 9, doi. 10.24193/ekphrasis.17(1).2
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Contemporary Representations of Artificial Intelligence in Science Fiction Films, Visual Arts and Literature. A Short Introduction.
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- Ekphrasis (2067-631X), 2017, v. 17, n. 1, p. 5, doi. 10.24193/ekphrasis.17(1).1
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- Article