The Famous Women Dinner Service: In Conversation with Contemporary Art.
- Published in:
- British Art Studies, 2017, n. 7, p. 226, doi. 10.17658/issn.2058-5462/issue-07/dinnerparty
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- Article
Works matching IS 20585462 AND DT 2017
Results: 40
1
2
The Famous Women Dinner Service: A Critical Introduction and Catalogue.
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- British Art Studies, 2017, n. 7, p. 181, doi. 10.17658/issn.2058-5462/issue-07/hleaper
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- Article
3
Seeing Red.
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- British Art Studies, 2017, n. 7, p. 172, doi. 10.17658/issn.2058-5462/issue-07/gadamson
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4
Art by the Many: London Style Cults of the 1960s.
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- British Art Studies, 2017, n. 7, p. 136, doi. 10.17658/issn.2058-5462/issue-07/conversation
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5
Elegant Engravings of the Paciic: Illustrations of James Cook's Expeditions in British Eighteenth-Century Magazines.
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- British Art Studies, 2017, n. 7, p. 94, doi. 10.17658/issn.2058-5462/issue-07/janderson
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6
A Photobook of the Shimmer: Pearl Fisheries, Photography, and British Colonialism in South Asia.
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- British Art Studies, 2017, n. 7, p. 50, doi. 10.17658/issn.2058-5462/issue-07/neaton
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- Article
7
"The Snob's Chaldron": Alexander Davison and the Private Patronage of History Painting in Early Nineteenth-Century Britain.
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- British Art Studies, 2017, n. 7, p. 9, doi. 10.17658/issn.2058-5462/issue-07/kgazzard
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8
From a Sheet of Paper to the Sky.
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- British Art Studies, 2017, n. 7, p. 4, doi. 10.17658/issn.2058-5462/issue-07/ifraser
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9
Pilgrim Souvenir: Ampulla of Thomas Becket.
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- British Art Studies, 2017, n. 6, p. 474, doi. 10.17658/issn.2058-5462/issue-06/ampulla
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- Article
10
Morse Decorated with the Cruciixion and the Monogram of Abbot Walter Clifton of Warden Abbey.
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- British Art Studies, 2017, n. 6, p. 466, doi. 10.17658/issn.2058-5462/issue-06/morses
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- Article
11
Pilgrim Souvenir: Hood of Cherries.
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- British Art Studies, 2017, n. 6, p. 460, doi. 10.17658/issn.2058-5462/issue-06/cherries-badge
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- Article
12
An Ivory Staff Terminal from Alcester.
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- British Art Studies, 2017, n. 6, p. 457, doi. 10.17658/issn.2058-5462/issue-06/crozier
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- Article
13
Handling Digital Objects.
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- British Art Studies, 2017, n. 6, p. 454, doi. 10.17658/issn.2058-5462/issue-06/object-sessions
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14
Disciplining the Digital: Virtual 3D Reproduction, Pilgrim Badges, and the Stuf of Art History.
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- British Art Studies, 2017, n. 6, p. 417, doi. 10.17658/issn.2058-5462/issue-06/conversation
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- Article
15
Wording the Wound Man.
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- British Art Studies, 2017, n. 6, p. 355, doi. 10.17658/issn.2058-5462/issue-06/jhartnell
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16
Resonance and Reuse: The Fifteenth-Century Transformation of a Late RomanesqueVita Christi.
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- British Art Studies, 2017, n. 6, p. 320, doi. 10.17658/issn.2058-5462/issue-06/kcollins
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17
The Temple of Justice and the Key of David: Anachronism and Authority in the Chichester Seal Matrix.
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- British Art Studies, 2017, n. 6, p. 290, doi. 10.17658/issn.2058-5462/issue-06/ldbeer
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18
In the Vineyard of the Lord: Art, Imagination, and the Stained Glass Commissions of William of Wykeham in Fourteenth-Century English Colleges.
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- British Art Studies, 2017, n. 6, p. 262, doi. 10.17658/issn.2058-5462/issue-06/vdecker
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19
Legal Crisis and Artistic Innovation in Thirteenth-Century Scotland.
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- British Art Studies, 2017, n. 6, p. 225, doi. 10.17658/issn.2058-5462/issue-06/jbarker
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- Article
20
The Englishness of English Sedilia.
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- British Art Studies, 2017, n. 6, p. 194, doi. 10.17658/issn.2058-5462/issue-06/jacameron
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21
Imagining Place and Moralizing Space: Jerusalem at Medieval Westminster.
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- British Art Studies, 2017, n. 6, p. 160, doi. 10.17658/issn.2058-5462/issue-06/lslater
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- Article
22
Inventio Porticus--Imagining Solomon's Porches in Late Medieval England.
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- British Art Studies, 2017, n. 6, p. 131, doi. 10.17658/issn.2058-5462/issue-06/hlunnon
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23
Creativity in Three Dimensions: An Investigation of the Presbytery Aisles of Wells Cathedral.
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- British Art Studies, 2017, n. 6, p. 92, doi. 10.17658/issn.2058-5462/issue-06/abuchanan
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24
Imagining Invention: The Character of the "Gothic architect" and England, 1200-1400.
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- British Art Studies, 2017, n. 6, p. 64, doi. 10.17658/issn.2058-5462/issue-06/jillson
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25
Innovation in English Gothic Architecture: Risks, Impediments, and Opportunities.
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- British Art Studies, 2017, n. 6, p. 28, doi. 10.17658/issn.2058-5462/issue-06/rstalley
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26
Medieval Invention and its Potencies.
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- British Art Studies, 2017, n. 6, p. 11, doi. 10.17658/issn.2058-5462/issue-06/pbinski
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27
Editorial.
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- 2017
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- Editorial
28
Conserving and Restoring the Hereford Screen.
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- British Art Studies, 2017, n. 5, p. 295, doi. 10.17658/issn.2058-5462/issue-05/dheath
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29
"A triumph of art" or "blatant vulgarity": The Reception of Scott and Skidmore's Screens.
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- British Art Studies, 2017, n. 5, p. 281, doi. 10.17658/issn.2058-5462/issue-05/arobinson2
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30
Collaborations Between Scott and Skidmore.
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- British Art Studies, 2017, n. 5, p. 243, doi. 10.17658/issn.2058-5462/issue-05/arobinson
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31
Liturgy and Music in Hereford Cathedral in the Time of Queen Victoria and Beyond.
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- British Art Studies, 2017, n. 5, p. 221, doi. 10.17658/issn.2058-5462/issue-05/tmurdoch
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32
Sound and Vision in the Hereford Screen.
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- British Art Studies, 2017, n. 5, p. 209, doi. 10.17658/issn.2058-5462/issue-05/junderhill
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33
The Medieval Choir Screen in Sacred Space: The Dynamic Interiors of Vezzolano and Breisach.
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- British Art Studies, 2017, n. 5, p. 205, doi. 10.17658/issn.2058-5462/issue-05/jjung
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34
The Hereford Screen: A Prehistory.
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- British Art Studies, 2017, n. 5, p. 185, doi. 10.17658/issn.2058-5462/issue-05/mreeve
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35
Theology and Threshold: Victorian Approaches to Reviving Choir and Rood Screens.
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- British Art Studies, 2017, n. 5, p. 163, doi. 10.17658/issn.2058-5462/issue-05/alepine
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36
Resurrection, Re-Imagination, Reconstruction: New Viewpoints on the Hereford Screen.
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- British Art Studies, 2017, n. 5, p. 156, doi. 10.17658/issn.2058-5462/issue-05/hereford
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37
Lowry and the Local.
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- British Art Studies, 2017, n. 5, p. 101
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- Publication type:
- Article
38
A "Modern Rendezvous" in London: Painters, Pilots, and Edward Wadsworth's A Short Flight (1914).
- Published in:
- British Art Studies, 2017, n. 5, p. 68, doi. 10.17658/issn.2058-5462/issue-05/bvere
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39
Drawing after the Antique at the British Museum, 1809-1817: "Free" Art Education and the Advent of the Liberal State.
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- British Art Studies, 2017, n. 5, p. 31, doi. 10.17658/issn.2058-5462/issue-05/mmyrone
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40
Between a Rock and a Blue Chair: David Hockney's Rocky Mountains and Tired Indians (1965).
- Published in:
- British Art Studies, 2017, n. 5, p. 4, doi. 10.17658/issn.2058-5462/issue-05/mhammer
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- Publication type:
- Article