Conference Proceedings: Photography and Britishness.
- Published in:
- 2016
- By:
- Publication type:
- Proceeding
Works matching IS 20585462 AND DT 2016
Results: 48
1
2
Super-size caricature: Thomas Rowlandson's Place des Victoires at the Society of Artists in 1783.
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- British Art Studies, 2016, n. 4, p. 142, doi. 10.17658/issn.2058-5462/issue-04/kgrandjouan
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- Publication type:
- Article
3
Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays.
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- British Art Studies, 2016, n. 4, p. 114, doi. 10.17658/issn.2058-5462/issue-04/croach
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- Article
4
New Brutalist Image 1949-55: 'atlas to a new world' or, 'trying to look at things today'.
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- 2016
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- Publication type:
- Art Exhibition Review
5
Cover Collaboration.
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- 2016
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- Publication type:
- Image
6
The Temporal Dimensions of the London Art Auction, 1780-1835.
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- British Art Studies, 2016, n. 4, p. 61, doi. 10.17658/issn.2058-5462/issue-04/afox-mlincoln
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- Publication type:
- Article
7
Insurgent Citizenship: Dr John Nicholas Tresidder's Photographs of War and Peace in British India.
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- British Art Studies, 2016, n. 4, p. 34, doi. 10.17658/issn.2058-5462/issue-04/swilcock
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- Article
8
Editorial.
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- British Art Studies, 2016, n. 4, p. 25, doi. 10.17658/issn.2058-5462/issue-04/editorial
- Publication type:
- Article
9
"The Mirror-Like Sea": A Bloomsbury Vision of Same-Sex Desire In Duncan Grant's Bathing, 1911.
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- British Art Studies, 2016, n. 4, p. 3, doi. 10.17658/issn.2058-5462/issue-04/vsohaili
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- Publication type:
- Article
10
Sensational Cities.
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- British Art Studies, 2016, n. 3, p. 1, doi. 10.17658/issn.2058-5462/issue-03/jcurley-sensational
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- Article
11
Barbara Hepworth in Brazil.
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- 2016
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- Publication type:
- Essay
12
“Induced Tension”: A Forgotten Chapter in the History of British Sculpture in the USA.
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- 2016
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- Publication type:
- Essay
13
Real/Life: New British Art and the Reception of Contemporary British Art in Japan.
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- 2016
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- Publication type:
- Essay
14
A Quiet Revolution: British Sculpture Since 1965.
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- 2016
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- Publication type:
- Essay
15
The British Show in Australia, 1985.
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- 2016
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- Publication type:
- Essay
16
Expanding the Field: How the “New Sculpture” put British Art on the Map in the 1980s.
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- British Art Studies, 2016, n. 3, p. 1, doi. 10.17658/issn.2058-5462/issue-03/nbaker
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- Publication type:
- Article
17
Henry Moore’s Public Sculpture in the US: The Collaborations with I. M. Pei.
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- British Art Studies, 2016, n. 3, p. 1, doi. 10.17658/issn.2058-5462/issue-03/apotts
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- Publication type:
- Article
18
The Geography of Making or On Finding Moore Everywhere.
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- British Art Studies, 2016, n. 3, p. 1, doi. 10.17658/issn.2058-5462/issue-03/sstarling
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- Publication type:
- Article
19
Henry Moore's Exhibition in Yugoslavia, 1955.
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- 2016
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- Publication type:
- Art Exhibition Review
20
Hybrid Sculpture of the 1960s.
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- British Art Studies, 2016, n. 3, p. 1, doi. 10.17658/issn.2058-5462/issue-03/jcurley-1960s
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- Publication type:
- Article
21
1984 and Beyond (2005–07).
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- British Art Studies, 2016, n. 3, p. 1, doi. 10.17658/issn.2058-5462/issue-03/gbyrne
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- Publication type:
- Article
22
With the Void, Full Powers: Anish Kapoor and the Venice Biennale of 1990.
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- British Art Studies, 2016, n. 3, p. 1, doi. 10.17658/issn.2058-5462/issue-03/rbalaram
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- Publication type:
- Article
23
Disorienting the Art World: Mona Hatoum in Istanbul.
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- British Art Studies, 2016, n. 3, p. 1, doi. 10.17658/issn.2058-5462/issue-03/japplin
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- Publication type:
- Article
24
full’n’empty – subjectobject – uhmm, Richard Deacon, Haus Lange and Haus Esters, Krefeld 1991.
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- 2016
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- Publication type:
- Exhibition Review
25
British Sculpture Abroad: An Introduction.
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- British Art Studies, 2016, n. 3, p. 1, doi. 10.17658/issn.2058-5462/issue-03/intro
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- Publication type:
- Article
26
British Sculpture Exhibited at the Venice Biennale after the Second World War, and its Impact on the Work of Italian Sculptors.
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- 2016
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- Publication type:
- Essay
27
Sight Unseen: Anthony Caro’s Prairie, 1967.
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- 2016
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- Publication type:
- Essay
28
British Constructivist Art.
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- 2016
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- Publication type:
- Art Exhibition Review
29
Brilliant! New Art from London, Walker Art Center, 1995–96.
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- 2016
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- Publication type:
- Art Exhibition Review
30
Mark Boyle and Joan Hills at the Gemeentemuseum, The Hague.
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- 2016
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- Publication type:
- Essay
31
The British Avant Garde: A Joint Venture Between the New York Cultural Center and Studio International Magazine.
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- 2016
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- Publication type:
- Essay
32
Arte Inglese Oggi, Milan, 1976: Between Formalism and Conceptual Art.
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- 2016
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- Publication type:
- Art Exhibition Review
33
Un Certain Art Anglais, 1979.
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- 2016
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- Publication type:
- Essay
34
Britishness, Identity, and the Three-Dimensional: British Sculpture Abroad in the 1990s.
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- 2016
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- Publication type:
- Essay
35
Renewing the New: British Sculpture in the 1980s.
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- British Art Studies, 2016, n. 3, p. 1, doi. 10.17658/issn.2058-5462/issue-03/ghilty
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- Publication type:
- Article
36
1970s: Out of Sculpture.
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- British Art Studies, 2016, n. 3, p. 1, doi. 10.17658/issn.2058-5462/issue-03/ecrippa
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- Publication type:
- Article
37
Introduction to British Sculpture Abroad in the 1960s.
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- 2016
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- Publication type:
- Essay
38
The Promotion and Reception of British Sculpture Abroad, 1948–1960: Herbert Read, Henry Moore, Barbara Hepworth, and the “Young British Sculptors”.
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- 2016
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- Publication type:
- Essay
39
Still Invisible?
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- British Art Studies, 2016, n. 2, p. 1, doi. 10.17658/issn.2058-5462/issue-02/still-invisible
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- Publication type:
- Article
40
Carnation, Lily, Lily, Rose and the process of painting.
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- British Art Studies, 2016, n. 2, p. 1, doi. 10.17658/issn.2058-5462/issue-02/rhellen-ekilmurray
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- Publication type:
- Article
41
Looking for “the Longitude”.
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- British Art Studies, 2016, n. 2, p. 1, doi. 10.17658/issn.2058-5462/issue-02/kbarrett
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- Publication type:
- Article
42
Cover Collaboration.
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- 2016
- By:
- Publication type:
- Image
43
High Art and High Stakes: The 3rd Duke of Dorset’s Gamble on Reynolds.
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- British Art Studies, 2016, n. 2, p. 1, doi. 10.17658/issn.2058-5462/issue-02/jchu
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- Publication type:
- Article
44
Editorial.
- Published in:
- British Art Studies, 2016, n. 2, p. 1, doi. 10.17658/issn.2058-5462/issue-02/editorial-2
- Publication type:
- Article
45
John Singleton Copley and the World of Prints.
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- British Art Studies, 2016, n. 2, p. 1, doi. 10.17658/issn.2058-5462/issue-02/jprown
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- Publication type:
- Article
46
Conversations and Chimneypieces: the imagery of the hearth in eighteenth-century English family portraiture.
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- British Art Studies, 2016, n. 2, p. 1, doi. 10.17658/issn.2058-5462/issue-02/mcraske
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- Publication type:
- Article
47
Changing Subjects: The Gallery at Cleveland House and the Highland Clearances.
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- British Art Studies, 2016, n. 2, p. 1, doi. 10.17658/issn.2058-5462/issue-02/anellisrichter
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- Publication type:
- Article
48
Canaletto's Colour: the inspiration and implications of changing grounds, pigments and paint application in the artist's English period.
- Published in:
- British Art Studies, 2016, n. 2, p. 1, doi. 10.17658/issn.2058-5462/issue-02/rsperber-jstenger
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- Publication type:
- Article