'Normans' vs. 'Saxons': Cinematic Imaginaries of Race and Nation in Angevin England, 1938-1964.
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- Open Library of Humanities, 2023, v. 9, n. 1, p. 1, doi. 10.16995/olh.9397
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Works matching IS 20566700 AND DT 2023 AND VI 9 AND IP 1
Results: 10
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Azeem and the Witch: Race, Disability, and Medievalisms in Robin Hood: Prince of Thieves.
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- Open Library of Humanities, 2023, v. 9, n. 1, p. 1, doi. 10.16995/olh.9796
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- Article
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Who Put the 'a' in 'Thomas a Becket'? The History of a Name from the Angevins to the 18th Century.
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- Open Library of Humanities, 2023, v. 9, n. 1, p. 1, doi. 10.16995/olh.9353
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- Article
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Richard the Lionheart, Contested Queerness, and Crusading Memory.
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- Open Library of Humanities, 2023, v. 9, n. 1, p. 1, doi. 10.16995/olh.9349
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- Article
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Sex, Politics, Religion: Teaching Challenging Medievalisms with Becket (1964) and The Lion in Winter (1968).
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- Open Library of Humanities, 2023, v. 9, n. 1, p. 1, doi. 10.16995/olh.9347
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6
Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty.
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- Open Library of Humanities, 2023, v. 9, n. 1, p. 1, doi. 10.16995/olh.8866
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Borders, Burials, and the Extended Mind in Early Medieval England: Genesis A and Apple Down.
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- Open Library of Humanities, 2023, v. 9, n. 1, p. 1, doi. 10.16995/olh.9024
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- Article
8
Musikalische Autonomie und das Gesamtkunstwerk: Eduard Hanslick und Richard Wagner im Dialog mit der Idealistischen Musikästhetik.
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- Open Library of Humanities, 2023, v. 9, n. 1, p. 1, doi. 10.16995/olh.8114
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9
Lost in Fragmentation: On How to Deal with Fragments of a Special Performance Form from Mali in the Collection KOLK 17 in Lübeck.
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- Open Library of Humanities, 2023, v. 9, n. 1, p. 1, doi. 10.16995/olh.6409
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- Article
10
Changing Menstrual Habits in Late 20th- and Early 21st-Century Russia.
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- Open Library of Humanities, 2023, v. 9, n. 1, p. 1, doi. 10.16995/olh.6352
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- Article