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Shifting conceptions of Alejandro González Iñárritu: Interpreting the auteur.
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- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 1, p. 3, doi. 10.1386/slac_00032_2
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Behind the money: Alejandro González Iñárritu as career director.
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- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 1, p. 9, doi. 10.1386/slac_00033_1
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Whose film is it anyway? The battle over auteur status between Alejandro González Iñárritu and Guillermo Arriaga.
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- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 1, p. 19, doi. 10.1386/slac_00034_1
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Visceral reality in Alejandro González Iñárritu's Carne y arena/Virtually Present, Physically Invisible (González Iñárritu 2017).
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- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 1, p. 37, doi. 10.1386/slac_00035_1
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Alejandro González Iñárritu's melodramatic masculinities.
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- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 1, p. 57, doi. 10.1386/slac_00036_1
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The texture of the age: Digital construction of unbounded Space in Birdman (Iñárritu 2014).
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- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 1, p. 73, doi. 10.1386/slac_00037_1
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Interrogating (neo)colonialism in the contemporary western: Alejandro González Iñárritu's The Revenant (2015).
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- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 1, p. 89, doi. 10.1386/slac_00038_1
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Afectando el conflicto: Mediaciones de la guerra en el arte y cine contemporáneo, Ruben Darío Yepes Muñoz (2018).
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- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 1, p. 105, doi. 10.1386/slac_00039_5
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Domestic Labor in Twenty-First Century Latin American Cinema, Elizabeth Osborne and Sofía Ruiz-Alfaro (eds) (2020).
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- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 1, p. 108, doi. 10.1386/slac_00040_5
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The Films of Jess Franco, Antonio Lázaro-Reboll and Ian Olney (eds) (2018).
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- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 1, p. 111, doi. 10.1386/slac_00041_5
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- Article