Found: 8
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Framing indigeneity in early ethnographic Mexican film: An analysis of Peregrinación a Chalma/Pilgrimage to Chalma (Díaz Ordaz 1922).
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- Studies in Spanish & Latin American Cinemas, 2020, v. 17, n. 3, p. 311, doi. 10.1386/slac_00024_1
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- Article
Residente's 'War' and the reframing of terror.
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- Studies in Spanish & Latin American Cinemas, 2020, v. 17, n. 3, p. 331, doi. 10.1386/slac_00025_1
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- Article
Bahía de Palma/Palma Bay (Bosch 1962): An allegory of late Francoism.
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- Studies in Spanish & Latin American Cinemas, 2020, v. 17, n. 3, p. 351, doi. 10.1386/slac_00026_1
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- Article
Santa y Andrés: A dossier.
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- Studies in Spanish & Latin American Cinemas, 2020, v. 17, n. 3, p. 377, doi. 10.1386/slac_00027_2
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- Article
'I want to watch movies': Film activism and Cuban screens.
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- Studies in Spanish & Latin American Cinemas, 2020, v. 17, n. 3, p. 383, doi. 10.1386/slac_00028_1
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- Article
Seeing the light in Santa y Andrés: Metaphor, myth and historical ambivalence.
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- Studies in Spanish & Latin American Cinemas, 2020, v. 17, n. 3, p. 397, doi. 10.1386/slac_00029_1
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- Article
Ethics, hospitality and aesthetics in Fresa y chocolate/Strawberry and Chocolate (Gutiérrez Alea and Tabío 1993) and Santa y Andrés/Santa and Andrés (Lechuga 2016).
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- Studies in Spanish & Latin American Cinemas, 2020, v. 17, n. 3, p. 409, doi. 10.1386/slac_00030_1
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- Article
Revolutionary ruralities: Spaces of surveillance and exclusion in Carlos Lechuga's Santa y Andrés (2016).
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- Studies in Spanish & Latin American Cinemas, 2020, v. 17, n. 3, p. 427, doi. 10.1386/slac_00031_1
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- Article