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Can María speak?: Interpreting Ixcanul/Volcano (2015) from a decolonial perspective.
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- Studies in Spanish & Latin American Cinemas, 2018, v. 15, n. 2, p. 187, doi. 10.1386/slac.15.2.187_1
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- Article
Symptoms of a civil war: Affect, disease and urban violence in Arturo Menéndez's Malacrianza/The Crow's Nest (2014).
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- Studies in Spanish & Latin American Cinemas, 2018, v. 15, n. 2, p. 217, doi. 10.1386/slac.15.2.217_1
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- Article
Filmmaking in Central America: An overview.
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- Studies in Spanish & Latin American Cinemas, 2018, v. 15, n. 2, p. 143, doi. 10.1386/slac.15.2.143_1
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Central American cinematographic aesthetics and their role in international film festivals.
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- Studies in Spanish & Latin American Cinemas, 2018, v. 15, n. 2, p. 163, doi. 10.1386/slac.15.2.163_1
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- Article
Book Reviews.
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- Studies in Spanish & Latin American Cinemas, 2018, v. 15, n. 2, p. 267, doi. 10.1386/slac.15.2.267_5
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- Article
Against anomie: Julio Hernández Cordón's post-war trilogy - Gasolina/Gasoline (2008), Las marimbas del infierno/The Marimbas of Hell (2010) and Polvo/Dust (2012).
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- Studies in Spanish & Latin American Cinemas, 2018, v. 15, n. 2, p. 203, doi. 10.1386/slac.15.2.203_1
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- Article
Performing for Hollywood: Coloniality and the tourist image in Esteban Ramírez's Caribe/Caribbean (2004).
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- Studies in Spanish & Latin American Cinemas, 2018, v. 15, n. 2, p. 249, doi. 10.1386/slac.15.2.249_1
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- Article
Forging her path with her own fists: Autonomy and contradictions of age, class and gender in Florence Jaguey's La Yuma/Yuma (2010).
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- Studies in Spanish & Latin American Cinemas, 2018, v. 15, n. 2, p. 233, doi. 10.1386/slac.15.2.233_1
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- Article
Central American cinema in the twenty-first century.
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- Studies in Spanish & Latin American Cinemas, 2018, v. 15, n. 2, p. 137, doi. 10.1386/slac.15.2.137_7
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- Article