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From the editor.
- Published in:
- Studies in Spanish & Latin American Cinemas, 2016, v. 13, n. 1, p. 3, doi. 10.1386/slac.13.1.3_2
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- Article
Beyond controversy: Rethinking the films of Bigas Luna.
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- Studies in Spanish & Latin American Cinemas, 2016, v. 13, n. 1, p. 5, doi. 10.1386/slac.13.1.5_1
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- Article
Bigas Luna: Un cineasta con personalidad.
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- Studies in Spanish & Latin American Cinemas, 2016, v. 13, n. 1, p. 13, doi. 10.1386/slac.13.1.13_1
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- Article
Angustia (Bigas Luna, 1987)o Los rostros sin ojos.
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- Studies in Spanish & Latin American Cinemas, 2016, v. 13, n. 1, p. 17, doi. 10.1386/slac.13.1.17_1
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- Article
Viaje a la semilla: La ruta ibérica de Bigas Luna.
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- Studies in Spanish & Latin American Cinemas, 2016, v. 13, n. 1, p. 33, doi. 10.1386/slac.13.1.33_1
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- Article
Sexual and cinematic commodities: Bigas Luna's Chambermaid 'and' the Titanic.
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- Studies in Spanish & Latin American Cinemas, 2016, v. 13, n. 1, p. 47, doi. 10.1386/slac.13.1.47_1
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- Article
After-images and imagination: Image and nation in Bigas Luna's Volavérunt.
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- Studies in Spanish & Latin American Cinemas, 2016, v. 13, n. 1, p. 63, doi. 10.1386/slac.13.1.63_1
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- Article
'Sí valgo, yo valgo seguro' Spain's new peripheral female subjects in Yo soy la Juani.
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- Studies in Spanish & Latin American Cinemas, 2016, v. 13, n. 1, p. 79, doi. 10.1386/slac.13.1.79_1
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- Article
Reviews.
- Published in:
- Studies in Spanish & Latin American Cinemas, 2016, v. 13, n. 1, p. 93, doi. 10.1386/slac.13.1.93_5
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- Article