Found: 9
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Border-crossing with Borau: At home, abroad.
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- Studies in Spanish & Latin American Cinemas, 2015, v. 12, n. 1, p. 3, doi. 10.1386/slac.12.1.3_2
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- Article
The politics of place in two early films by Borau.
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- Studies in Spanish & Latin American Cinemas, 2015, v. 12, n. 1, p. 11, doi. 10.1386/slac.12.1.11_1
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- Article
Reframing My Dearest Señorita (1971): Queer embodiment and subjectivity through the poetics of cinema.
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- Studies in Spanish & Latin American Cinemas, 2015, v. 12, n. 1, p. 27, doi. 10.1386/slac.12.1.27_1
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- Article
Recuerdos De Un Testigo Exiliado.
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- Studies in Spanish & Latin American Cinemas, 2015, v. 12, n. 1, p. 43, doi. 10.1386/slac.12.1.43_1
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- Article
José Luis Borau, un cineasta furtivo.
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- Studies in Spanish & Latin American Cinemas, 2015, v. 12, n. 1, p. 51, doi. 10.1386/slac.12.1.51_1
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- Article
When we put ourselves 'on the line'.
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- Studies in Spanish & Latin American Cinemas, 2015, v. 12, n. 1, p. 65, doi. 10.1386/slac.12.1.65_1
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- Article
Border lives: Borau's Río abajo/On the Line (1984).
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- Studies in Spanish & Latin American Cinemas, 2015, v. 12, n. 1, p. 79, doi. 10.1386/slac.12.1.79_1
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- Article
'Niña somebody': Bringing Elena Fortún's Celia to Spanish television.
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- Studies in Spanish & Latin American Cinemas, 2015, v. 12, n. 1, p. 93, doi. 10.1386/slac.12.1.93_1
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- Article
Leo's legacy: Overcoming the success of Furtivos and failure of Río abajo.
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- Studies in Spanish & Latin American Cinemas, 2015, v. 12, n. 1, p. 105, doi. 10.1386/slac.12.1.105_1
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- Article