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Cinematic time and the question of possibility in Carlos Saura's Elisa, vida mía (1977).
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- Studies in Spanish & Latin American Cinemas, 2013, v. 10, n. 1, p. 3, doi. 10.1386/slac.10.1.3_1
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- Article
Negotiating visions of modernity: Female stars, the melindrosa and desires for a Brazilian film industry.
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- Studies in Spanish & Latin American Cinemas, 2013, v. 10, n. 1, p. 23, doi. 10.1386/slac.10.1.23_1
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- Article
A late example of the españolada: Carlos Serrano de Osma's La rosa roja (The Red Rose, 1960).
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- Studies in Spanish & Latin American Cinemas, 2013, v. 10, n. 1, p. 45, doi. 10.1386/slac.10.1.45_1
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- Article
Truths, lies and telling silences in Gutiérrez Alea's The Last Supper and Pontecorvo's Burn!
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- Studies in Spanish & Latin American Cinemas, 2013, v. 10, n. 1, p. 59, doi. 10.1386/slac.10.1.59_1
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Between film and TV: Cursilería and the return of politics in 1970s' Spain.
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- Studies in Spanish & Latin American Cinemas, 2013, v. 10, n. 1, p. 75, doi. 10.1386/slac.10.1.75_1
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- Article
Communication and character change in Un cuento chino.
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- Studies in Spanish & Latin American Cinemas, 2013, v. 10, n. 1, p. 87, doi. 10.1386/slac.10.1.87_1
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- Article
The voice, body and ventriloquism of Marisol in Tómbola (Lucía, 1962).
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- Studies in Spanish & Latin American Cinemas, 2013, v. 10, n. 1, p. 101, doi. 10.1386/slac.10.1.101_1
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Book Reviews.
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- Studies in Spanish & Latin American Cinemas, 2013, v. 10, n. 1, p. 117, doi. 10.1386/slac.10.1.117_5
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- Article