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Playing in public: Domestic politics and prosthetic memory in Paula Markovich's El premio/The Prize (2011).
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- Studies in Spanish & Latin American Cinemas, 2017, v. 14, n. 1, p. 3, doi. 10.1386/slac.14.1.3_1
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- Article
Local filmmaking in Brazil: Place, politics and Pernambuco's new cinema.
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- Studies in Spanish & Latin American Cinemas, 2017, v. 14, n. 1, p. 59, doi. 10.1386/slac.14.1.59_1
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- Article
The blind gaze: Visual impairment and haptic filmmaking in João Júlio Antunes' O jogo/The Game (2010).
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- Studies in Spanish & Latin American Cinemas, 2017, v. 14, n. 1, p. 23, doi. 10.1386/slac.14.1.23_1
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- Article
Queer-haptic aesthetics in the films of Lucrecia Martel and Albertina Carri.
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- Studies in Spanish & Latin American Cinemas, 2017, v. 14, n. 1, p. 95, doi. 10.1386/slac.14.1.95_1
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- Article
Carlos Reygadas' Batalla en el cielo/Battle in Heaven (2005): Disarticulating the brown male body from myths of Mexican masculinity.
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- Studies in Spanish & Latin American Cinemas, 2017, v. 14, n. 1, p. 77, doi. 10.1386/slac.14.1.77_1
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Reviews.
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- Studies in Spanish & Latin American Cinemas, 2017, v. 14, n. 1, p. 113, doi. 10.1386/slac.14.1.113_5
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- Article
Sounds of absence: Aurality and silence in Chile's Mi vida con Carlos/My Life with Carlos (2010) and El eco de las canciones/The Echo of the Songs (2010).
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- Studies in Spanish & Latin American Cinemas, 2017, v. 14, n. 1, p. 41, doi. 10.1386/slac.14.1.41_1
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- Article