Works matching IS 20477368 AND DT 2025 AND VI 13 AND IP 1/2
Results: 16
Malavita chic: Fashion and fandom in the Italian crime series.
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 89, doi. 10.1386/jicms_00252_1
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Eclectic primitivism: Piero Tosi's Medea (1969).
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 69, doi. 10.1386/jicms_00251_1
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A Roman holiday with 'open heritage'? Exploring copyright law and cultural heritage law's role for our collective cultural interest in Italian film and Italian fashion.
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 49, doi. 10.1386/jicms_00250_1
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'Vetrine della Moda': Forms and models of femininity on the pages of fascist movie magazines.
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 31, doi. 10.1386/jicms_00249_1
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'Film, Fashion, Costume in Italy and Beyond': Introduction: Notes on methods and historiography.
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 3, doi. 10.1386/jicms_00247_2
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The New Made in Italy for the 21st Century: Fashion, Film, Art and Design, Eugenia Paulicelli, Claudio Napoli and Massimo Mascolo (dirs) (2022), USA: Okozoko.
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 203, doi. 10.1386/jicms_00262_5
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L'abito di domani: Storia della moda nel tempo, Giovanna Gagliardo (dir.) (2009), Italy: Luce Cinecittà.
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 199, doi. 10.1386/jicms_00261_5
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Interview with Maria Grazia Chiuri: Women in fashion: Crafting feminisms.
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 187, doi. 10.1386/jicms_00260_7
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Interview with Alina Marazzi: The tactile gaze.
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 181, doi. 10.1386/jicms_00259_7
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Fashioning: Women and gender in film and fashion.
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 169, doi. 10.1386/jicms_00258_2
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The costumes of an archaic dream: Pasolini, Danilo Donati and Oedipus the King (1967).
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 163, doi. 10.1386/jicms_00257_7
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Scenographers, set and costume designers in the Alessandro Blasetti Archive.
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 155, doi. 10.1386/jicms_00256_7
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Fashion and costumes in the work of Italian filmmaker Robert Vignola in silent Hollywood.
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 15, doi. 10.1386/jicms_00248_1
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Film, fashion, costume and Rome-based archives.
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 137, doi. 10.1386/jicms_00255_7
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Fashion, migration and identity in Italian cinema: The case of Billo il grand dakhaar and Bangla.
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 121, doi. 10.1386/jicms_00254_1
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Feminist genealogies, archival constellations and women's labour in fashion films: Anna Piaggi: una visionaria nella moda (2016) and Triangle (2014).
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- Journal of Italian Cinema & Media Studies, 2025, v. 13, n. 1/2, p. 105, doi. 10.1386/jicms_00253_1
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