Works matching IS 20477368 AND DT 2016 AND VI 4 AND IP 1
Results: 10
Michelangelo Antonioni and Atom Egoyan: Contaminating identities.
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- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 1, p. 51, doi. 10.1386/jicms.4.1.51_1
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How I began to love cinema!
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- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 1, p. 139, doi. 10.1386/jicms.4.1.139_7
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Ruling the Colonies with sound: Documentary, technology and noise in Cronache dell'Impero.
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- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 1, p. 111, doi. 10.1386/jicms.4.1.111_1
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Film Festivals.
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- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 1, p. 127, doi. 10.1386/jicms.4.1.127_7
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The Roma on screen: Voicing the counter-hegemonic.
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- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 1, p. 63, doi. 10.1386/jicms.4.1.63_1
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Migration, prostitution and the representation of the black female subject in Nigerian video films about Italy.
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- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 1, p. 9, doi. 10.1386/jicms.4.1.9_1
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Translational and transnational directions of Italian cinema.
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- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 1, p. 2, doi. 10.1386/jicms.4.1.3_2
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Book Reviews.
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- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 1, p. 143, doi. 10.1386/jicms.4.1.143_5
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French and Italian co-productions and the limits of transnational cinema.
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- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 1, p. 25, doi. 10.1386/jicms.4.1.25_1
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Music and migration: Transgenerational crossovers in La vera leggenda di Tony Vilar and Di madre in figlia.
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- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 1, p. 83, doi. 10.1386/jicms.4.1.83_1
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- Article