'As o'er the upland hills I take my way': Rural Landscape and the Chronotopes of Memory and Threshold in Ann Yearsley's 'Clifton Hill'.Published in:Victoriographies, 2015, v. 5, n. 1, p. 1, doi. 10.3366/vic.2015.0180By:Markidou, VassilikiPublication type:Article
Rider Haggard: A Triptych of Ambiguities on British Imperialism.Published in:Victoriographies, 2015, v. 5, n. 1, p. 54, doi. 10.3366/vic.2015.0183By:Generani, GustavoPublication type:Article
Listening to the Silence: Huxley, Arnold, and Wells' Scientific Humanity.Published in:2015By:Vanvelk, JanPublication type:Literary Criticism
'Otherwise in London' or, the 'Essence of Things': Modernity and Estrangement in the Nineteenth-Century Cityscape.Published in:Victoriographies, 2015, v. 5, n. 1, p. 17, doi. 10.3366/vic.2015.0181By:Wolfreys, JulianPublication type:Article
The Puppet Narrator of Vanity Fair.Published in:Victoriographies, 2015, v. 5, n. 1, p. 36, doi. 10.3366/vic.2015.0182By:Murphy, Ryan FrancisPublication type:Article
Notes on Contributors.Published in:Victoriographies, 2015, v. 5, n. 1, p. 94, doi. 10.3366/vic.2015.0185Publication type:Article