(Re-)presenting Islam: A comparative study of groups of comedians in the United States of America and France.Published in:Performing Islam, 2013, v. 2, n. 1, p. 89, doi. 10.1386/pi.2.1.89_1By:Ervine, JonathanPublication type:Article
The theatrical-cinematographic world of Iranian war cinema: In search of the past.Published in:Performing Islam, 2013, v. 2, n. 1, p. 105, doi. 10.1386/pi.2.1.105_7By:Abecassis, MichaëlPublication type:Article
Feminist mediations: The sacred and the secular in the work of three Pakistani female singers.Published in:Performing Islam, 2013, v. 2, n. 1, p. 67, doi. 10.1386/pi.2.1.67_1By:Afzal-Khan, FawziaPublication type:Article
Muslim and secular: Performing 'Muslim exemplarity' and public debates on Islam in France.Published in:Performing Islam, 2013, v. 2, n. 1, p. 45, doi. 10.1386/pi.2.1.45_1By:Kiwan, NadiaPublication type:Article
Against ethnomusicology: Language performance and the social impact of ritual performance in Islam.Published in:Performing Islam, 2013, v. 2, n. 1, p. 11, doi. 10.1386/pi.2.1.11_1By:Frishkopf, MichaelPublication type:Article