Photographic Sound Art and the Silent Modernity of Walter Ruttmann's Weekend (1930).
- Published in:
- New Soundtrack, 2016, v. 6, n. 2, p. 109, doi. 10.3366/sound.2016.0086
- By:
- Publication type:
- Article
Works matching IS 20428855 AND DT 2016 AND VI 6 AND IP 2
Results: 6
1
2
The Spatial Politics of the Voice in Patrick Keiller's Robinson in Ruins (2010).
- Published in:
- New Soundtrack, 2016, v. 6, n. 2, p. 129, doi. 10.3366/sound.2016.0087
- By:
- Publication type:
- Article
3
Sound, Space, Gravity : A Kaleidoscopic Hearing (part II).
- Published in:
- New Soundtrack, 2016, v. 6, n. 2, p. 191, doi. 10.3366/sound.2016.0091
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- Publication type:
- Article
4
The Magic of the Space: An interview with Niall Brady and Steve Fanagan about Room (2015).
- Published in:
- New Soundtrack, 2016, v. 6, n. 2, p. 159, doi. 10.3366/sound.2016.0089
- By:
- Publication type:
- Article
5
Spontaneous Composition for Screen: linear and non-linear improvisation for instruments and electronics.
- Published in:
- New Soundtrack, 2016, v. 6, n. 2, p. 171, doi. 10.3366/sound.2016.0090
- By:
- Publication type:
- Article
6
The Undersea World of the Sound Department: The Construction of Sonic Conventions in Sub-aqua Screen Environments.
- Published in:
- New Soundtrack, 2016, v. 6, n. 2, p. 143, doi. 10.3366/sound.2016.0088
- By:
- Publication type:
- Article