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Works matching IS 20428855 AND DT 2013 AND VI 3 AND IP 2

Results: 7

1

Altered States, Altered Sounds: An investigation of how 'subjective states' are signified by the soundtrack of dream sequences in narrative fiction cinema.

Published in:

New Soundtrack, 2013, v. 3, n. 2, p. 175, doi. 10.3366/sound.2013.0045

By:

Gabriel, Gilbert

Publication type:

Article

2

Listen to Nice.

Published in:

New Soundtrack, 2013, v. 3, n. 2, p. 89, doi. 10.3366/sound.2013.0040

By:

Cox, Geoffrey

Publication type:

Article

3

Editorial.

Published in:: New Soundtrack, 2013, v. 3, n. 2, p. v, doi. 10.3366/sound.2013.0039
Publication type:: Article

4

Knocking at the door of cinematic artifice: Dolby Atmos, challenges and opportunities.

Published in:

New Soundtrack, 2013, v. 3, n. 2, p. 107, doi. 10.3366/sound.2013.0041

By:

Sergi, Gianluca

Publication type:

Article

5

Landscape, soundscape, taskscape in the films The Hurt Locker (2008), Katalin Varga (2009).

Published in:

New Soundtrack, 2013, v. 3, n. 2, p. 123, doi. 10.3366/sound.2013.0042

By:

Martin, Jean

Publication type:

Article

6

What do we hear? The pluralism of sound design in Hollywood sound production.

Published in:

New Soundtrack, 2013, v. 3, n. 2, p. 137, doi. 10.3366/sound.2013.0043

By:

Wright, Benjamin

Publication type:

Article

7

The sounds of space: Social space and social listening (Part 1).

Published in:

New Soundtrack, 2013, v. 3, n. 2, p. 159, doi. 10.3366/sound.2013.0044

By:

Griffiths, Tom Lock

Publication type:

Article