Ways of Listening.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
Works matching IS 20428855 AND DT 2011 AND VI 1 AND IP 1
Results: 9
1
2
Four Views of Cinema: Searching for Ways of Experiencing Films.
- Published in:
- New Soundtrack, 2011, v. 1, n. 1, p. 73, doi. 10.3366/sound.2011.0007
- By:
- Publication type:
- Article
3
The Life of the Heart: Music and Narrative in The Beat That My Heart Skipped.
- Published in:
- New Soundtrack, 2011, v. 1, n. 1, p. 89, doi. 10.3366/sound.2011.0008
- By:
- Publication type:
- Article
4
EDITORIAL.
- Published in:
- New Soundtrack, 2011, v. 1, n. 1, p. v, doi. 10.3366/sound.2011.0001
- Publication type:
- Article
5
Sound sleep furiously.
- Published in:
- New Soundtrack, 2011, v. 1, n. 1, p. 1, doi. 10.3366/sound.2011.0002
- By:
- Publication type:
- Article
6
From Battlezone to Battlefield Immersion, Sound and Computer Games: An Interview with Ben Minto.
- Published in:
- 2011
- By:
- Publication type:
- Interview
7
Soundscapes of Trauma and the Silence of Revenge in Peter Strickland's Katalin Varga.
- Published in:
- New Soundtrack, 2011, v. 1, n. 1, p. 57, doi. 10.3366/sound.2011.0006
- By:
- Publication type:
- Article
8
Sound Spheres: A Model of Psychoacoustic Space in Cinema.
- Published in:
- New Soundtrack, 2011, v. 1, n. 1, p. 13, doi. 10.3366/sound.2011.0003
- By:
- Publication type:
- Article
9
The Electric Ear: Early Film Sound Technology and Acoustic Spaces -- From a Box of Insects to a Tomb of Make-Believe.
- Published in:
- New Soundtrack, 2011, v. 1, n. 1, p. 29, doi. 10.3366/sound.2011.0004
- By:
- Publication type:
- Article