The cinematic fauna of Bengt Berg.
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- Journal of Scandinavian Cinema, 2017, v. 7, n. 3, p. 243, doi. 10.1386/jsca.7.3.243_1
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- Article
Works matching IS 20427891 AND DT 2017 AND VI 7 AND IP 3
Results: 7
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From success to human waste management: Class, family and traces of neo-liberalism in the Finnish films Beauty and the Bastard and Bad Family.
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- Journal of Scandinavian Cinema, 2017, v. 7, n. 3, p. 225, doi. 10.1386/jsca.7.3.225_1
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- Article
3
From Hollywood to Norway and back again: The transnational horror film and Norwegian directors in America.
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- Journal of Scandinavian Cinema, 2017, v. 7, n. 3, p. 211, doi. 10.1386/jsca.7.3.211_1
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- Article
4
The visual style of Susanne Bier's films.
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- Journal of Scandinavian Cinema, 2017, v. 7, n. 3, p. 253, doi. 10.1386/jsca.7.3.253_1
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- Article
5
Cinematic landscapes of the Anthropocene: Scandinavian documentary film at the turn of the twenty-first century.
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- Journal of Scandinavian Cinema, 2017, v. 7, n. 3, p. 217, doi. 10.1386/jsca.7.3.217_1
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6
Editorial.
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- Journal of Scandinavian Cinema, 2017, v. 7, n. 3, p. 199, doi. 10.1386/jsca.7.3.199_2
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7
Aki Kaurismäki and Finnish strangeness: Leningrad Cowboys Go America as a cult film.
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- Journal of Scandinavian Cinema, 2017, v. 7, n. 3, p. 203, doi. 10.1386/jsca.7.3.203_1
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- Article