Works matching IS 20427891 AND DT 2012 AND VI 2 AND IP 1

Results: 8

Where does 'die Asta' belong? The role of national identity in Asta Nielsen's German and Danish reception in the early 1920s.

Published in:

Journal of Scandinavian Cinema, 2012, v. 2, n. 1, p. 13, doi. 10.1386/jsca.2.1.13_1

By:

Allen, Julie K.

Publication type:

Article

Jan Troell's fleeting still moments.

Published in:

Journal of Scandinavian Cinema, 2012, v. 2, n. 1, p. 55, doi. 10.1386/jsca.2.1.55_1

By:

Bruhn, Jørgen;
Gjelsvik, Anne

Publication type:

Article

Frozen style and strong emotions of panic and separation: Trier's prologues to Antichrist and Melancholia.

Published in:

Journal of Scandinavian Cinema, 2012, v. 2, n. 1, p. 47, doi. 10.1386/jsca.2.1.47_1

By:

Grodal, Torben

Publication type:

Article

Working-class girls in a welfare state: Finnishness, social class and gender in Aki Kaurismäki's Workers' Trilogy (1986-1990).

Published in:

Journal of Scandinavian Cinema, 2012, v. 2, n. 1, p. 73, doi. 10.1386/jsca.2.1.73_1

By:

Kivimäki, Sanna

Publication type:

Article

EDITORIAL.

Published in:

Journal of Scandinavian Cinema, 2012, v. 2, n. 1, p. 3, doi. 10.1386/jsca.2.1.3_2

By:

Marklund, Anders

Publication type:

Article

Asta's ink: The Stockholm letters.

Published in:

Journal of Scandinavian Cinema, 2012, v. 2, n. 1, p. 5, doi. 10.1386/jsca.2.1.5_1

By:

Olsson, Jan

Publication type:

Article

Bad religion/good spirituality? Explorations of religion in contemporary Scandinavian films.

Published in:

Journal of Scandinavian Cinema, 2012, v. 2, n. 1, p. 33, doi. 10.1386/jsca.2.1.33_1

By:

Sjö, Sofia

Publication type:

Article

Ole Olsen's sense of film.

Published in:

Journal of Scandinavian Cinema, 2012, v. 2, n. 1, p. 27, doi. 10.1386/jsca.2.1.27_1

By:

Thorsen, Isak

Publication type:

Article