Works matching IS 20427824 AND DT 2017 AND VI 7 AND IP 1
Results: 28
Strangeness of the familiar.
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- Short Film Studies, 2017, v. 7, n. 1, p. 105, doi. 10.1386/sfs.7.1.105_1
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- Article
Echoes of The 400 Blows: Ambiguous closure in art cinema.
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- Short Film Studies, 2017, v. 7, n. 1, p. 67, doi. 10.1386/sfs.7.1.67_1
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The dark power of belonging: The T-Shirt.
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- Short Film Studies, 2017, v. 7, n. 1, p. 93, doi. 10.1386/sfs.7.1.93_1
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Cruel summer: Decoding subtext through shot design in The Beach.
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- Short Film Studies, 2017, v. 7, n. 1, p. 35, doi. 10.1386/sfs.7.1.35_1
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Screenplay: The Beach.
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- Short Film Studies, 2017, v. 7, n. 1, p. 15, doi. 10.1386/sfs.7.1.15_1
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Notes on writing the screenplay for The Beach.
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- Short Film Studies, 2017, v. 7, n. 1, p. 19, doi. 10.1386/sfs.7.1.19_7
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The T-Shirt/Tričko.
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- Short Film Studies, 2017, v. 7, n. 1, p. 77, doi. 10.1386/sfs.7.1.77_7
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The centre cannot hold: The Beach and liminality.
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- Short Film Studies, 2017, v. 7, n. 1, p. 45, doi. 10.1386/sfs.7.1.45_1
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An in-between place.
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- Short Film Studies, 2017, v. 7, n. 1, p. 31, doi. 10.1386/sfs.7.1.31_1
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22 km from Texas to Pustatina.
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- Short Film Studies, 2017, v. 7, n. 1, p. 113, doi. 10.1386/sfs.7.1.113_1
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The musical framing of The Beach.
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- Short Film Studies, 2017, v. 7, n. 1, p. 63, doi. 10.1386/sfs.7.1.63_1
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The Beach, exposed.
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- Short Film Studies, 2017, v. 7, n. 1, p. 41, doi. 10.1386/sfs.7.1.41_1
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Struggling with dogmatism.
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- Short Film Studies, 2017, v. 7, n. 1, p. 121, doi. 10.1386/sfs.7.1.121_1
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Narrative closure in The Beach.
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- Short Film Studies, 2017, v. 7, n. 1, p. 71, doi. 10.1386/sfs.7.1.71_1
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Evental subjectivity in The Beach.
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- Short Film Studies, 2017, v. 7, n. 1, p. 49, doi. 10.1386/sfs.7.1.49_1
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Ethics of public and private space in The T-Shirt.
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- Short Film Studies, 2017, v. 7, n. 1, p. 117, doi. 10.1386/sfs.7.1.117_1
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Signs matter.
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- Short Film Studies, 2017, v. 7, n. 1, p. 97, doi. 10.1386/sfs.7.1.97_1
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What children see: Dorthe Scheffmann's The Beach.
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- Short Film Studies, 2017, v. 7, n. 1, p. 55, doi. 10.1386/sfs.7.1.55_1
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A shot-by-shot breakdown of The Beach.
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- Short Film Studies, 2017, v. 7, n. 1, p. 10, doi. 10.1386/sfs.7.1.10_7
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An interview with Dorthe Scheffmann on The Beach.
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- Short Film Studies, 2017, v. 7, n. 1, p. 21, doi. 10.1386/sfs.7.1.21_7
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Editor's Introduction.
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- Short Film Studies, 2017, v. 7, n. 1, p. 3, doi. 10.1386/sfs.7.1.3_2
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A shot by shot breakdown of The T-Shirt.
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- Short Film Studies, 2017, v. 7, n. 1, p. 80, doi. 10.1386/sfs.7.1.80_7
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An interview with Hossein Martin Fazeli on The T-Shirt.
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- Short Film Studies, 2017, v. 7, n. 1, p. 89, doi. 10.1386/sfs.7.1.89_1
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A feminist politics of the everyday in The Beach.
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- Short Film Studies, 2017, v. 7, n. 1, p. 59, doi. 10.1386/sfs.7.1.59_1
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The Beach.
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- Short Film Studies, 2017, v. 7, n. 1, p. 5, doi. 10.1386/sfs.7.1.5_7
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The last word.
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- Short Film Studies, 2017, v. 7, n. 1, p. 75, doi. 10.1386/sfs.7.1.75_7
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Context for Nietzche's death of God.
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- Short Film Studies, 2017, v. 7, n. 1, p. 109, doi. 10.1386/sfs.7.1.109_1
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The T-Shirt: The (post-9/11) discomfort of strangers.
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- Short Film Studies, 2017, v. 7, n. 1, p. 101, doi. 10.1386/sfs.7.1.101_1
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