On the malaise and menace of a pencil sharpener: Editing emotional subjectivity from objective reality.
- Published in:
- Short Film Studies, 2015, v. 5, n. 1, p. 45, doi. 10.1386/sfs.5.1.45_1
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- Publication type:
- Article
Works matching IS 20427824 AND DT 2015 AND VI 5 AND IP 1
Results: 24
1
2
Kieślowski and Kafka at the office: Realism and/as modernism.
- Published in:
- Short Film Studies, 2015, v. 5, n. 1, p. 41, doi. 10.1386/sfs.5.1.41_1
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- Article
3
The Chinese Wall (Post-production script).
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- Short Film Studies, 2015, v. 5, n. 1, p. 68, doi. 10.1386/sfs.5.1.68_7
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- Article
4
Interpreting The Chinese Wall knowing Dutch and 'Dutchness'.
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- Short Film Studies, 2015, v. 5, n. 1, p. 107, doi. 10.1386/sfs.5.1.107_1
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- Article
5
Photographing people's feelings: The patient eye of Kieślowski and Karabasz.
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- Short Film Studies, 2015, v. 5, n. 1, p. 27, doi. 10.1386/sfs.5.1.27_1
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- Article
6
Social media scripts in The Chinese Wall.
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- Short Film Studies, 2015, v. 5, n. 1, p. 103, doi. 10.1386/sfs.5.1.103_1
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- Article
7
In the style of Kazimierz Karabasz.
- Published in:
- Short Film Studies, 2015, v. 5, n. 1, p. 31, doi. 10.1386/sfs.5.1.31_1
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- Article
8
The Office /Urzad.
- Published in:
- Short Film Studies, 2015, v. 5, n. 1, p. 5, doi. 10.1386/sfs.5.1.5_7
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- Article
9
Formless world and 'paperless' people.
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- Short Film Studies, 2015, v. 5, n. 1, p. 53, doi. 10.1386/sfs.5.1.53_1
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- Article
10
The last word on The Chinese Wall.
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- Short Film Studies, 2015, v. 5, n. 1, p. 111, doi. 10.1386/sfs.5.1.111_1
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- Article
11
Lonely birthday eaters anonymous: The Chinese Wall.
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- Short Film Studies, 2015, v. 5, n. 1, p. 99, doi. 10.1386/sfs.5.1.99_1
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- Article
12
The representation of loneliness in The Chinese Wall.
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- Short Film Studies, 2015, v. 5, n. 1, p. 95, doi. 10.1386/sfs.5.1.95_1
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- Article
13
The office Polish style in The Office.
- Published in:
- Short Film Studies, 2015, v. 5, n. 1, p. 37, doi. 10.1386/sfs.5.1.37_1
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- Publication type:
- Article
14
Trapped by bureaucracy: Kieślowski, his masters and the making of Urzᶏd.
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- Short Film Studies, 2015, v. 5, n. 1, p. 21, doi. 10.1386/sfs.5.1.21_1
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- Article
15
The Chinese Wall/De Chinese Muur.
- Published in:
- Short Film Studies, 2015, v. 5, n. 1, p. 65, doi. 10.1386/sfs.5.1.65_1
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- Article
16
On Kieslowski's Urzad/The Office.
- Published in:
- Short Film Studies, 2015, v. 5, n. 1, p. 16, doi. 10.1386/sfs.5.1.16_1
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- Article
17
Editor's Introduction.
- Published in:
- Short Film Studies, 2015, v. 5, n. 1, p. 3, doi. 10.1386/sfs.5.1.3_2
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- Publication type:
- Article
18
A shot-by-shot breakdown of The Chinese Wall.
- Published in:
- Short Film Studies, 2015, v. 5, n. 1, p. 76, doi. 10.1386/sfs.5.1.76_7
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- Publication type:
- Article
19
A shot-by-shot breakdown of The Office/Urzad.
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- Short Film Studies, 2015, v. 5, n. 1, p. 8, doi. 10.1386/sfs.5.1.8_7
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- Article
20
An interview with director Sytske Kok on The Chinese Wall.
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- Short Film Studies, 2015, v. 5, n. 1, p. 88, doi. 10.1386/sfs.5.1.88_7
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- Publication type:
- Article
21
An interview with screenwriter Rosan Dieho on The Chinese Wall.
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- Short Film Studies, 2015, v. 5, n. 1, p. 92, doi. 10.1386/sfs.5.1.92_7
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- Article
22
The restraints and opportunities of film school productions: Urzᶏd in context.
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- Short Film Studies, 2015, v. 5, n. 1, p. 61, doi. 10.1386/sfs.5.1.61_1
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- Article
23
The voice of the system.
- Published in:
- Short Film Studies, 2015, v. 5, n. 1, p. 57, doi. 10.1386/sfs.5.1.57_1
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- Article
24
Navigating bureaucracy: Urzad's dissociation of sound and image.
- Published in:
- Short Film Studies, 2015, v. 5, n. 1, p. 49, doi. 10.1386/sfs.5.1.49_1
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- Publication type:
- Article