Works matching IS 20427824 AND DT 2014 AND VI 4 AND IP 2
Results: 25
Into what future?
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- Short Film Studies, 2014, v. 4, n. 2, p. 153, doi. 10.1386/sfs.4.2.153_1
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- Article
The return of the animated dead in Body Memory.
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- Short Film Studies, 2014, v. 4, n. 2, p. 163, doi. 10.1386/sfs.4.2.163_1
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Seven Minutes in the Warsaw Ghetto: Representing the unimaginable through animated film.
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- Short Film Studies, 2014, v. 4, n. 2, p. 219, doi. 10.1386/sfs.4.2.219_1
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Perception of sound in/as Body Memory.
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- Short Film Studies, 2014, v. 4, n. 2, p. 149, doi. 10.1386/sfs.4.2.149_1
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From concrete horror to symbolic significance in Body Memory.
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- Short Film Studies, 2014, v. 4, n. 2, p. 145, doi. 10.1386/sfs.4.2.145_1
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- Article
Nevermore.
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- Short Film Studies, 2014, v. 4, n. 2, p. 215, doi. 10.1386/sfs.4.2.215_1
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Apple trees and barbed wire: Estonian memories of Soviet occupation in Body Memory.
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- Short Film Studies, 2014, v. 4, n. 2, p. 157, doi. 10.1386/sfs.4.2.157_1
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Can what is beyond imagining be represented on-screen?
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- Short Film Studies, 2014, v. 4, n. 2, p. 207, doi. 10.1386/sfs.4.2.207_1
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Seven Minutes in the Warsaw Ghetto.
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- Short Film Studies, 2014, v. 4, n. 2, p. 171, doi. 10.1386/sfs.4.2.171_7
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Keha Mälu/Body Memory.
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- Short Film Studies, 2014, v. 4, n. 2, p. 117, doi. 10.1386/sfs.4.2.117_7
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The storyboard for Body Memory.
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- Short Film Studies, 2014, v. 4, n. 2, p. 124, doi. 10.1386/sfs.4.2.124_7
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- Article
'Robbed of one's eyes': Re-viewing the Holocaust.
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- Short Film Studies, 2014, v. 4, n. 2, p. 211, doi. 10.1386/sfs.4.2.211_1
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Editor's introduction.
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- Short Film Studies, 2014, v. 4, n. 2, p. 115, doi. 10.1386/sfs.4.2.115_2
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A shot-by-shot breakdown of Body Memory.
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- Short Film Studies, 2014, v. 4, n. 2, p. 130, doi. 10.1386/sfs.4.2.130_7
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An interview with Ülo Pikkov on Body Memory.
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- Short Film Studies, 2014, v. 4, n. 2, p. 138, doi. 10.1386/sfs.4.2.138_7
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The original script, 2nd draft - 2003: Four Minutes in the Warsaw Ghetto.
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- Short Film Studies, 2014, v. 4, n. 2, p. 177, doi. 10.1386/sfs.4.2.177_7
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A shot-by-shot breakdown of Seven Minutes in the Warsaw Ghetto.
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- Short Film Studies, 2014, v. 4, n. 2, p. 182, doi. 10.1386/sfs.4.2.182_7
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An interview with Johan Oettinger on Seven Minutes in the Warsaw Ghetto.
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- Short Film Studies, 2014, v. 4, n. 2, p. 191, doi. 10.1386/sfs.4.2.191_7
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Art and the Holocaust: Positioning Seven Minutes in the Warsaw Ghetto.
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- Short Film Studies, 2014, v. 4, n. 2, p. 223, doi. 10.1386/sfs.4.2.223_1
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Unravelling the body without organs in Body Memory.
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- Short Film Studies, 2014, v. 4, n. 2, p. 167, doi. 10.1386/sfs.4.2.167_1
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As the crow flies: Conventions and symbolism in Seven Minutes in the Warsaw Ghetto.
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- Short Film Studies, 2014, v. 4, n. 2, p. 195, doi. 10.1386/sfs.4.2.195_1
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The writer's and director's 'Notes of intentions'.
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- Short Film Studies, 2014, v. 4, n. 2, p. 179, doi. 10.1386/sfs.4.2.179_7
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- Article
Generic hybridity in Holocaust cinema.
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- Short Film Studies, 2014, v. 4, n. 2, p. 199, doi. 10.1386/sfs.4.2.199_1
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The non-human and affect in Seven Minutes in the Warsaw Ghetto.
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- Short Film Studies, 2014, v. 4, n. 2, p. 203, doi. 10.1386/sfs.4.2.203_1
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Choreography of confinement in Body Memory.
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- Short Film Studies, 2014, v. 4, n. 2, p. 141, doi. 10.1386/sfs.4.2.141_1
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- Article