The Doctor-Coquette Nexus in Middlemarch, Villette, and The Woodlanders.
- Published in:
- Victorian Network, 2018, v. 8, p. 71
- By:
- Publication type:
- Article
Works matching IS 2042616X AND DT 2018 AND VI 8
Results: 10
1
2
'I am born': Writing Corporate Personhood in Victorian It-narratives.
- Published in:
- Victorian Network, 2018, v. 8, p. 50
- By:
- Publication type:
- Article
3
Modern Painters, Old Masters: The Art of Imitation from the Pre-Raphaelites to the First World War.
- Published in:
- Victorian Network, 2018, v. 8, p. 126
- By:
- Publication type:
- Article
4
The Jane and Bertha in Me.
- Published in:
- Victorian Network, 2018, v. 8, p. 122
- By:
- Publication type:
- Article
5
Drawing on the Victorians: The Palimpsest of Victorian and Neo-Victorian Graphic Texts.
- Published in:
- Victorian Network, 2018, v. 8, p. 118
- By:
- Publication type:
- Article
6
Oscar Wilde's Chatterton: Literary History, Romanticism, and the Art of Forgery.
- Published in:
- Victorian Network, 2018, v. 8, p. 113
- By:
- Publication type:
- Article
7
The Secret Theatre of Suburbia: Identity and Roleplay in Wilkie Collins's Basil.
- Published in:
- Victorian Network, 2018, v. 8, p. 93
- By:
- Publication type:
- Article
8
The Bank Nun's Tale: Financial Forgery, Gothic Imagery, and Economic Power.
- Published in:
- Victorian Network, 2018, v. 8, p. 28
- By:
- Publication type:
- Article
9
Coining Counterfeit Culture: Christina Rossetti's Goblin Market.
- Published in:
- Victorian Network, 2018, v. 8, p. 5
- By:
- Publication type:
- Article
10
Forgery and Imitation.
- Published in:
- Victorian Network, 2018, v. 8, p. 1
- By:
- Publication type:
- Article