Works matching IS 20421869 AND DT 2019 AND VI 10 AND IP 3
1
- Film Matters, 2019, v. 10, n. 3, p. 106, doi. 10.1386/fm_00023_7
- Article
3
- Film Matters, 2019, v. 10, n. 3, p. 198, doi. 10.1386/fm_00040_7
- Article
4
- Film Matters, 2019, v. 10, n. 3, p. 171, doi. 10.1386/fm_00035_7
- Article
5
- Film Matters, 2019, v. 10, n. 3, p. 95, doi. 10.1386/fm_00022_7
- Article
6
- Film Matters, 2019, v. 10, n. 3, p. 70, doi. 10.1386/fm_00020_7
- Article
7
- Film Matters, 2019, v. 10, n. 3, p. 121, doi. 10.1386/fm_00025_7
- Article
8
- Film Matters, 2019, v. 10, n. 3, p. 84, doi. 10.1386/fm_00021_7
- Article
10
- Film Matters, 2019, v. 10, n. 3, p. 176, doi. 10.1386/fm_00036_7
- Article
12
- Film Matters, 2019, v. 10, n. 3, p. 61, doi. 10.1386/fm_00019_7
- Article
13
- Film Matters, 2019, v. 10, n. 3, p. 191, doi. 10.1386/fm_00039_7
- Article
15
- Film Matters, 2019, v. 10, n. 3, p. 130, doi. 10.1386/fm_00026_7
- Article
17
- Film Matters, 2019, v. 10, n. 3, p. 51, doi. 10.1386/fm_00018_7
- Article
18
- Film Matters, 2019, v. 10, n. 3, p. 137, doi. 10.1386/fm_00027_7
- Article
19
- Film Matters, 2019, v. 10, n. 3, p. 187, doi. 10.1386/fm_00038_7
- Article
20
- 2019
- Film/TV Criticism and Review
21
- Film Matters, 2019, v. 10, n. 3, p. 37, doi. 10.1386/fm_00017_7
- Article
22
- Film Matters, 2019, v. 10, n. 3, p. 206, doi. 10.1386/fm_00041_7
- Article
23
- Film Matters, 2019, v. 10, n. 3, p. 150, doi. 10.1386/fm_00029_7
- Article
24
- Film Matters, 2019, v. 10, n. 3, p. 19, doi. 10.1386/fm_00015_7
- Article
25
- Film Matters, 2019, v. 10, n. 3, p. 119, doi. 10.1386/fm_00024_7
- Article
26
- Film Matters, 2019, v. 10, n. 3, p. 144, doi. 10.1386/fm_00028_7
- Chamberlain, Katharine R.
- Article
27
- Film Matters, 2019, v. 10, n. 3, p. 7, doi. 10.1386/fm_00014_7
- Article
28
- Film Matters, 2019, v. 10, n. 3, p. 30, doi. 10.1386/fm_00016_7
- Article
29
- Film Matters, 2019, v. 10, n. 3, p. 180, doi. 10.1386/fm_00037_7
- Article