Works matching IS 20421869 AND DT 2017 AND VI 8 AND IP 3
Results: 29
The Heath Is White: Nationhood, Protestant Anxieties, and Nazism in The White Ribbon.
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- Film Matters, 2017, v. 8, n. 3, p. 55, doi. 10.1386/fm.8.3.55_1
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- Article
'Recognize This': Anderson's Heart of a Dog.
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- Film Matters, 2017, v. 8, n. 3, p. 53, doi. 10.1386/fm.8.3.53_1
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Contemporary Science Fiction Cinema Dossier Introduction.
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- Film Matters, 2017, v. 8, n. 3, p. 29, doi. 10.1386/fm.8.3.29_1
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- Article
Alfonso Cuarón: The Real Magic Behind Harry Potter.
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- Film Matters, 2017, v. 8, n. 3, p. 89, doi. 10.1386/fm.8.3.89_1
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- Article
Alternate Modes of Masculinity in The Gambler.
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- Film Matters, 2017, v. 8, n. 3, p. 77, doi. 10.1386/fm.8.3.77_1
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Open Call for Undergraduate Papers.
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- Film Matters, 2017, v. 8, n. 3, p. 105, doi. 10.1386/fm.8.3.105_7
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- Article
Reviews DVD/Blu-ray.
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- Film Matters, 2017, v. 8, n. 3, p. 97, doi. 10.1386/fm.8.3.97_5
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- Article
Today I'm Going to Test You: Oppositional Cyborgs and Automated Anxiety in Ex Machina.
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- Film Matters, 2017, v. 8, n. 3, p. 36, doi. 10.1386/fm.8.3.36_1
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- Article
Speculative Blackness: The Future of Race in Science Fiction.
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- Film Matters, 2017, v. 8, n. 3, p. 50, doi. 10.1386/fm.8.3.50_1
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- Article
Gender and the Nuclear Family in Twenty-First-Century Horror.
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- Film Matters, 2017, v. 8, n. 3, p. 82, doi. 10.1386/fm.8.3.82_1
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Gender in Science Fiction Films, 1964-1979.
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- Film Matters, 2017, v. 8, n. 3, p. 49, doi. 10.1386/fm.8.3.49_1
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Reviews Books.
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- Film Matters, 2017, v. 8, n. 3, p. 92, doi. 10.1386/fm.8.3.92_5
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- Article
Bridesmaids, Trainwreck, and the Regressive Role of Women in Romantic Comedies.
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- Film Matters, 2017, v. 8, n. 3, p. 66, doi. 10.1386/fm.8.3.66_1
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- Article
Science Fiction Adapted to Film.
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- Film Matters, 2017, v. 8, n. 3, p. 51, doi. 10.1386/fm.8.3.51_1
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- Article
Playing with Shapes and Colors: Synesthesia's Transition into Mainstream Cinema.
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- Film Matters, 2017, v. 8, n. 3, p. 86, doi. 10.1386/fm.8.3.86_1
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- Article
A Future of One's Own?: Gender Through Relationality of Death in World of Tomorrow (2015).
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- Film Matters, 2017, v. 8, n. 3, p. 61, doi. 10.1386/fm.8.3.61_1
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- Article
A Forced Silence: The Hidden Homonormativity Surrounding Carol.
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- Film Matters, 2017, v. 8, n. 3, p. 5, doi. 10.1386/fm.8.3.5_1
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- Article
The Zombie Apocalypse as Twenty-First-Century Frontier.
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- Film Matters, 2017, v. 8, n. 3, p. 42, doi. 10.1386/fm.8.3.42_1
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Examining Genre Conventions in the Promotion of Marvel Avengers Assemble.
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- Film Matters, 2017, v. 8, n. 3, p. 73, doi. 10.1386/fm.8.3.73_1
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Projecting Tomorrow: Science Fiction and Popular Cinema.
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- Film Matters, 2017, v. 8, n. 3, p. 47, doi. 10.1386/fm.8.3.47_1
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The Revival of Cold War Tensions and Propaganda Filmmaking: Red Dawn and Threads as Films of the 'Second World War'.
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- Film Matters, 2017, v. 8, n. 3, p. 11, doi. 10.1386/fm.8.3.11_1
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Editorial.
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- Film Matters, 2017, v. 8, n. 3, p. 4, doi. 10.1386/fm.8.3.4_2
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Teamwork Makes Film Work.
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- Film Matters, 2017, v. 8, n. 3, p. 84, doi. 10.1386/fm.8.3.84_1
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Dossier Introduction: Race, Gender, and Genre in Twenty-First-Century Cinema.
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- Film Matters, 2017, v. 8, n. 3, p. 60, doi. 10.1386/fm.8.3.60_1
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Preview of FM 9.1.
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- Film Matters, 2017, v. 8, n. 3, p. 106, doi. 10.1386/fm.8.3.106_7
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- Article
Circumstance and the Representation of Transgression in Contemporary Iran.
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- Film Matters, 2017, v. 8, n. 3, p. 80, doi. 10.1386/fm.8.3.80_1
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- Article
'That lightsaber. It belongs to me.': Patriarchal Anxiety and the Fragility of White Men's Masculinity in The Force Awakens.
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- Film Matters, 2017, v. 8, n. 3, p. 30, doi. 10.1386/fm.8.3.30_1
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- Article
All or Nothing: Representing Masculinity in Jamón Jamón (Bigas Luna, 1992) and Mar adentro (Amenábar, 2004).
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- Film Matters, 2017, v. 8, n. 3, p. 16, doi. 10.1386/fm.8.3.16_1
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The Lady Vanishes: Soviet Censorship, Socialist Realism, and the Disappearance of Larisa Shepitko.
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- Film Matters, 2017, v. 8, n. 3, p. 21, doi. 10.1386/fm.8.3.21_1
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- Article