Constructing (Black) Girlhood: Americanization, Assimilation, and Ambivalence.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 5, doi. 10.1386/fm.7.3.5_1
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- Publication type:
- Article
Works matching IS 20421869 AND DT 2016 AND VI 7 AND IP 3
Results: 21
1
2
Putney Swope and Watermelon Man: Black Replacements of White Character Tropes.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 12, doi. 10.1386/fm.7.3.12_1
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- Publication type:
- Article
3
"The Good, the Bad and the Strudel": How Quentin Tarantino's Inglourious Basterds (2009) Manipulates Its Audience with Violence.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 17, doi. 10.1386/fm.7.3.17_1
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- Publication type:
- Article
4
Reviews Books.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 70, doi. 10.1386/fm.7.3.70_5
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- Publication type:
- Article
5
Open Call for Undergraduate Papers.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 90, doi. 10.1386/fm.7.3.90_7
- Publication type:
- Article
6
Preview of FM 8.1.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 91, doi. 10.1386/fm.7.3.91_7
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- Publication type:
- Article
7
Betraying Dostoevsky: Robert Bresson and the Art of Faithful Adaptation.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 24, doi. 10.1386/fm.7.3.24_1
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- Publication type:
- Article
8
Dystopian British Films in the Postmodern Era: A Critical Analysis of V for Vendetta and Never Let Me Go.
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- Film Matters, 2016, v. 7, n. 3, p. 30, doi. 10.1386/fm.7.3.30_1
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- Publication type:
- Article
9
New York Film Festival Dossier: Introduction.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 54, doi. 10.1386/fm.7.3.54_1
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- Publication type:
- Article
10
Affairs of the Phone: Indiewood, a Bespoke Future, and Virtual Love in Spike Jonze's Her (2013).
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 49, doi. 10.1386/fm.7.3.49_1
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- Publication type:
- Article
11
Reviews Film.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 77, doi. 10.1386/fm.7.3.77_5
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- Publication type:
- Article
12
Unleashing the Barbaric Yawp: The Elusive Quest for Carpe Diem.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 65, doi. 10.1386/fm.7.3.65_1
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- Publication type:
- Article
13
Cinema's Right to Tragedy: A Personal Exploration of 9/11's Inclusion in Thomas Bidegain's Les Cowboys (2015).
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 58, doi. 10.1386/fm.7.3.58_1
- By:
- Publication type:
- Article
14
Sweet Dreams: The Power of Compassion and Politics in Cemetery of Splendour (2015).
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 56, doi. 10.1386/fm.7.3.56_1
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- Publication type:
- Article
15
España Reimagined.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 35, doi. 10.1386/fm.7.3.35_1
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- Publication type:
- Article
16
Editorial.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 4, doi. 10.1386/fm.7.3.4_2
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- Publication type:
- Article
17
Shared Dreaming.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 60, doi. 10.1386/fm.7.3.60_1
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- Publication type:
- Article
18
Copy Is Everything: The Power of Communal Memorializing Through Film.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 63, doi. 10.1386/fm.7.3.63_1
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- Publication type:
- Article
19
How the Trope of Time Travel Is Used in Movies Infographic.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 92, doi. 10.1386/fm.7.3.92_7
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- Publication type:
- Article
20
Reviews DVD/Blu-ray.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 79, doi. 10.1386/fm.7.3.79_5
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- Publication type:
- Article
21
"Images Are My Memory": Chris Marker's Sunless.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 42, doi. 10.1386/fm.7.3.42_1
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- Publication type:
- Article