Rosemary's Baby (1968) USA Director Roman Polanski Runtime 136 minutes Blu-ray USA, 2012.
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- Film Matters, 2013, v. 4, n. 1, p. 73, doi. 10.1386/fm.4.1.73_1
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Works matching IS 20421869 AND DT 2013 AND VI 4 AND IP 1
Results: 25
1
2
Is It Worth It?
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- Film Matters, 2013, v. 4, n. 1, p. 65, doi. 10.1386/fm.4.1.65_1
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- Article
3
UC Berkeley's Film Studies Program.
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- Film Matters, 2013, v. 4, n. 1, p. 74, doi. 10.1386/fm.4.1.74_1
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- Article
4
Reviews DVDs and Blu-rays.
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- Film Matters, 2013, v. 4, n. 1, p. 72, doi. 10.1386/fm.4.1.72_5
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- Article
5
Sub-Cultural Ethnography and the Case for Dogtown and Z-Boys.
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- Film Matters, 2013, v. 4, n. 1, p. 3, doi. 10.1386/fm.4.1.3_1
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- Article
6
Film Bytes.
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- Film Matters, 2013, v. 4, n. 1, p. 56, doi. 10.1386/fm.4.1.56_1
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- Article
7
Western Carolina University's ''Motion Picture and Television Production'' Program.
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- Film Matters, 2013, v. 4, n. 1, p. 78, doi. 10.1386/fm.4.1.78_1
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- Article
8
Florida State University College of Motion Picture Arts.
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- Film Matters, 2013, v. 4, n. 1, p. 80, doi. 10.1386/fm.4.1.80_1
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- Article
9
'Hearing' War Crimes: Affective Evocation of Violence and Political Engagement through Sound Editing in Jean-Luc Godard's Masculin Féminin (1965) and Michael Haneke's Caché (2005).
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- Film Matters, 2013, v. 4, n. 1, p. 9, doi. 10.1386/fm.4.1.9_1
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10
Review Film.
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- Film Matters, 2013, v. 4, n. 1, p. 71, doi. 10.1386/fm.4.1.71_5
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11
Emotional Engagement in Representations and the Issue of Perceptual Realism.
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- Film Matters, 2013, v. 4, n. 1, p. 15, doi. 10.1386/fm.4.1.15_1
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- Article
12
Fantasia and the Generic Confluence of Convention and Abstraction.
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- Film Matters, 2013, v. 4, n. 1, p. 32, doi. 10.1386/fm.4.1.32_1
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- Article
13
Not Your Average Film School: A Brief Overview of SMFA.
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- Film Matters, 2013, v. 4, n. 1, p. 82, doi. 10.1386/fm.4.1.82_1
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- Article
14
A Conversation with Su Friedrich.
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- Film Matters, 2013, v. 4, n. 1, p. 58, doi. 10.1386/fm.4.1.58_1
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- Article
15
Martin Scorsese's Raging Bull, Italian American Masculinity, and the American Dream.
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- Film Matters, 2013, v. 4, n. 1, p. 20, doi. 10.1386/fm.4.1.20_1
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- Article
16
More than a Musical Mission from God: Themes of Unification in The Blues Brothers as Fleshed Out by Bollywood Masala Cinema.
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- Film Matters, 2013, v. 4, n. 1, p. 26, doi. 10.1386/fm.4.1.26_1
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- Article
17
Der Räuber/The Robber (2010) and the Berlin School.
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- Film Matters, 2013, v. 4, n. 1, p. 51, doi. 10.1386/fm.4.1.51_1
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18
Editorial.
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- Film Matters, 2013, v. 4, n. 1, p. 2, doi. 10.1386/fm.4.1.2_2
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19
For Film Fans by Film Fans: A Look at Firstshowing.net.
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- Film Matters, 2013, v. 4, n. 1, p. 67, doi. 10.1386/fm.4.1.67_1
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20
Obligated to In-State.
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- Film Matters, 2013, v. 4, n. 1, p. 86, doi. 10.1386/fm.4.1.86_1
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- Article
21
CGI: An Evolution in Cinema.
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- Film Matters, 2013, v. 4, n. 1, p. 38, doi. 10.1386/fm.4.1.38_1
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- Article
22
Longhorns with Lenses.
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- Film Matters, 2013, v. 4, n. 1, p. 88, doi. 10.1386/fm.4.1.88_1
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23
The Moving Image Archives at UNCSA.
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- Film Matters, 2013, v. 4, n. 1, p. 90, doi. 10.1386/fm.4.1.90_1
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- Article
24
Pied Piper vs. Faun: Storybooks and Female Empowerment in The Sweet Hereafter and Pan's Labyrinth.
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- Film Matters, 2013, v. 4, n. 1, p. 44, doi. 10.1386/fm.4.1.44_1
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25
'Take Two' Reviews Books.
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- Film Matters, 2013, v. 4, n. 1, p. 69, doi. 10.1386/fm.4.1.69_5
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- Article