Works matching IS 20421869 AND DT 2012 AND VI 3 AND IP 2
Results: 23
Everlasting Moments.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
Dark Expressionism: The Criterion Release of The Night of the Hunter.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
Miss Representation: Recurring Symbolic Annihilation.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
Take This Waltz: A Refreshingly Honest Portrayal of Youth and Love.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
World Film Locations: New York, Scott Jordan Harris, ed., (2011).
- Published in:
- 2012
- By:
- Publication type:
- Book Review
Back to the Future, Andrew Shail and Robin Stoate, (2010).
- Published in:
- 2012
- By:
- Publication type:
- Book Review
They Live, Jonathan Lethem, (2011).
- Published in:
- 2012
- By:
- Publication type:
- Book Review
Studies in French Cinema: UK Perspectives 1985-2010.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
Industrial Change and Historical Revision in The Assassination of Jesse James by the Coward Robert Ford.
- Published in:
- 2012
- By:
- Publication type:
- Essay
The Raw Deal Lighting of John Alton in Hollywood Film Noir.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
Emasculating American Bourgeoisie Culture.: The Graduate and the Critique of Material Prosperity as Happiness.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
"Rainbow Reality, Man" Color and Reality at the Heart of Darkness in Apocalypse Now and Waltz with Bashir.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
Travel, Dislocation, and Community in Daughters of the Dust.
- Published in:
- 2012
- Publication type:
- Film/TV Criticism and Review
Daughters of the Dust (Julie Dash, 1991).
- Published in:
- 2012
- Publication type:
- Arts/Entertainment Review
Frame Analysis for Vision: From the Life of Hildegard von Bingen.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
Slavoj Žižvek on War and Cinema: The Hurt Locker Between Theory and Post-Theory.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
The Stewardesses: 3D Soft-core that Kills.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
War and Poetry: The Use of Genre Violence and Poetic Digression in The Thin Red Line.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
Propaganda Cinema and the Mobilization of the British Home Front in World War II: In Which We Serve and Mrs. Miniver.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
"Returning the Look": Spectatorshzp and Feminist Aesthetics in Jeanne Dielman.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
Depiction and Counteraction of Asian and Asian American Cinematic Stereotypes in Charlotte Sometimes.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
Pictures are Worth Like ... A Lot More Words, Ya Know?
- Published in:
- Film Matters, 2012, v. 3, n. 2, p. 3, doi. 10.1386/fm.3.2.3_1
- By:
- Publication type:
- Article
Editorial.
- Published in:
- Film Matters, 2012, v. 3, n. 2, p. 2, doi. 10.1386/fm.3.2.2_2
- By:
- Publication type:
- Article