A Black Gaze: Artists Changing How We See, Tina M. Campt (2021).
- Published in:
- Philosophy of Photography, 2022, v. 13, n. 2, p. 307, doi. 10.1386/pop_00066_5
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- Article
Works matching IS 20403682 AND DT 2022 AND VI 13 AND IP 2
Results: 10
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Toward the Critique of Violence: A Critical Edition, Walter Benjamin, Peter Fenves (ed.) and Julia Ng (ed.) (2021).
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- Philosophy of Photography, 2022, v. 13, n. 2, p. 301, doi. 10.1386/pop_00065_5
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- Article
3
Loss of vision: On emotional affects caused by the representation of violence in Russia's war against Ukraine and beyond.
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- Philosophy of Photography, 2022, v. 13, n. 2, p. 289, doi. 10.1386/pop_00064_7
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- Article
4
'Negative'.
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- Philosophy of Photography, 2022, v. 13, n. 2, p. 275, doi. 10.1386/pop_00063_7
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- Article
5
Life and death in the production of a Factographic object.
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- Philosophy of Photography, 2022, v. 13, n. 2, p. 255, doi. 10.1386/pop_00062_1
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- Article
6
Shot/countershot: Essaying images of war and violence in the work of Harun Farocki, Hito Steyerl and Rabih Mroué.
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- Philosophy of Photography, 2022, v. 13, n. 2, p. 231, doi. 10.1386/pop_00061_1
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- Article
7
Landscape and autopsy: Photography and the natural history of capital.
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- Philosophy of Photography, 2022, v. 13, n. 2, p. 213, doi. 10.1386/pop_00060_1
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- Article
8
'A knife without a blade, for which a handle is missing': On the pleasure of photographic violence.
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- Philosophy of Photography, 2022, v. 13, n. 2, p. 207, doi. 10.1386/pop_00059_1
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- Article
9
Killing for Show : Interview with Julian Stallabrass.
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- Philosophy of Photography, 2022, v. 13, n. 2, p. 183, doi. 10.1386/pop_00058_7
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- Article
10
Editorial.
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- Philosophy of Photography, 2022, v. 13, n. 2, p. 177, doi. 10.1386/pop_00057_2
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- Article