The tape readers: Financial trading as a visual practice.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 109, doi. 10.1386/pop.8.1-2.109_1
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- Article
Works matching IS 20403682 AND DT 2017 AND VI 8 AND IP 1/2
Results: 16
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Juno Moneta Atlas: Warburgian production or performing context-change.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 119, doi. 10.1386/pop.8.1-2.119_1
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Speculative science: Aby Warburg and probability theory.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 131, doi. 10.1386/pop.8.1-2.131_1
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Anna Piaggi, Aby Warburg and the Judgement of Paris, 2011.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 141, doi. 10.1386/pop.8.1-2.141_1
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- Article
5
Fashion: From attitudes to poses.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 151, doi. 10.1386/pop.8.1-2.151_1
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Dancer in a laboratory of images: Aby Warburg's performative didactics.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 17, doi. 10.1386/pop.8.1-2.17_1
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7
Metadata: New perspectives on Aby Warburg's 'critical iconology'.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 171, doi. 10.1386/pop.8.1-2.171_1
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8
Toward an iconology for temporal object.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 183, doi. 10.1386/pop.8.1-2.183_1
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9
Warburg's cultural psychology as a tool for understanding Internet memes.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 211, doi. 10.1386/pop.8.1-2.211_1
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Images - uses - imagination: Lignes de Temps in a Warburgian context.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 221, doi. 10.1386/pop.8.1-2.221_1
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11
The Warburg Haus: Apparatus, inscription, data, speculation.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 3, doi. 10.1386/pop.8.1-2.3_2
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The technical apparatus of the Warburg Haus: Possible returns from oblivion.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 35, doi. 10.1386/pop.8.1-2.35_1
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13
Warburg's desk.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 53, doi. 10.1386/pop.8.1-2.53_1
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14
Speculating on the biography of an apparatus.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 76, doi. 10.1386/pop.8.1-2.76_1
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15
Hades as an accumulation of tertiary retentions.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 9, doi. 10.1386/pop.8.1-2.9_1
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16
Mobility on slips. Or: How to invest in paper. The Aby Warburg style.
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- Philosophy of Photography, 2017, v. 8, n. 1/2, p. 97, doi. 10.1386/pop.8.1-2.97_1
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