The social network game.
- Published in:
- Philosophy of Photography, 2012, v. 3, n. 1, p. 29, doi. 10.1386/pop.3.1.29_7
- By:
- Publication type:
- Article
Works matching IS 20403682 AND DT 2012 AND VI 3 AND IP 1
Results: 18
1
2
Beyond Representation: Photography, Humans and Computers.
- Published in:
- Philosophy of Photography, 2012, v. 3, n. 1, p. 17, doi. 10.1386/pop.3.1.17_7
- Publication type:
- Article
3
Time travel on the instalment plan: The index and future form in building.
- Published in:
- Philosophy of Photography, 2012, v. 3, n. 1, p. 141, doi. 10.1386/pop.3.1.141_1
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- Article
4
Art photography at the 'End of Temporality'.
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- Philosophy of Photography, 2012, v. 3, n. 1, p. 121, doi. 10.1386/pop.3.1.121_1
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- Article
5
Instagram: je-suis-là?
- Published in:
- Philosophy of Photography, 2012, v. 3, n. 1, p. 83, doi. 10.1386/pop.3.1.83_7
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- Publication type:
- Article
6
The Spectres of Abstraction and the Place of Photography.
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- Philosophy of Photography, 2012, v. 3, n. 1, p. 195, doi. 10.1386/pop.3.1.195_7
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- Article
7
Notes on haptic realism: Digital photography and shifting conditions of embodiment.
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- Philosophy of Photography, 2012, v. 3, n. 1, p. 19, doi. 10.1386/pop.3.1.19_7
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- Article
8
REVIEWS.
- Published in:
- Philosophy of Photography, 2012, v. 3, n. 1, p. 211, doi. 10.1386/pop.3.1.211_5
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- Article
9
The paradoxical economy of crisis: 'Crisis of experience' and the ana-economy of Else.
- Published in:
- Philosophy of Photography, 2012, v. 3, n. 1, p. 60, doi. 10.1386/pop.3.1.60_7
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- Article
10
Ana-materialism and the Pineal Eye: Becoming mouth-breast (or visual arts after Descartes, Bataille, Butler, Deleuze and Synthia with an 's')'.
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- Philosophy of Photography, 2012, v. 3, n. 1, p. 99, doi. 10.1386/pop.3.1.99_1
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- Publication type:
- Article
11
Belonging, Photography and the fanatical gaze in Åsa Johannesson's Belonging.
- Published in:
- Philosophy of Photography, 2012, v. 3, n. 1, p. 5, doi. 10.1386/pop.3.1.5_7
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- Article
12
ACT Oedipus: Digital theatre and the apocalyptic structure of re/presentation.
- Published in:
- Philosophy of Photography, 2012, v. 3, n. 1, p. 89, doi. 10.1386/pop.3.1.89_7
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- Article
13
Moulène, Rancière and 24 Objets de Grève: Productive ambivalence or reifying opacity?
- Published in:
- Philosophy of Photography, 2012, v. 3, n. 1, p. 155, doi. 10.1386/pop.3.1.155_1
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- Publication type:
- Article
14
Object communication of the photographic assemblage.
- Published in:
- Philosophy of Photography, 2012, v. 3, n. 1, p. 47, doi. 10.1386/pop.3.1.47_7
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- Publication type:
- Article
15
Artificial life, André Bazin and Disney nature.
- Published in:
- Philosophy of Photography, 2012, v. 3, n. 1, p. 73, doi. 10.1386/pop.3.1.73_1
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- Article
16
Redundancy in photography.
- Published in:
- Philosophy of Photography, 2012, v. 3, n. 1, p. 36, doi. 10.1386/pop.3.1.36_1
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- Article
17
Photogram.
- Published in:
- Philosophy of Photography, 2012, v. 3, n. 1, p. 173, doi. 10.1386/pop.3.1.173_7
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- Publication type:
- Article
18
A Neutral, Flexible Structure.
- Published in:
- Philosophy of Photography, 2012, v. 3, n. 1, p. 185, doi. 10.1386/pop.3.1.185_7
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- Publication type:
- Article