Works matching IS 20403275 AND DT 2023 AND VI 14 AND IP 1
Results: 9
A Marble Woman : Is the omen good or ill? Louisa May Alcott's exposé of Nathaniel Hawthorne's repressed individualism in her domestic horror fiction.
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- Horror Studies, 2023, v. 14, n. 1, p. 9, doi. 10.1386/host_00059_1
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- Article
Epidemic of affect: Contagious anxiety and cinematic metaphor in She Dies Tomorrow (2020).
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- Horror Studies, 2023, v. 14, n. 1, p. 87, doi. 10.1386/host_00063_1
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- Article
'This is the end of the road for science': The mad doctor in Cold War horror comics.
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- Horror Studies, 2023, v. 14, n. 1, p. 61, doi. 10.1386/host_00062_1
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- Article
Mind matters: Psychosurgical horror in The Great God Peter Pan and Peter and Wendy.
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- Horror Studies, 2023, v. 14, n. 1, p. 47, doi. 10.1386/host_00061_1
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- Article
Introduction.
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- Horror Studies, 2023, v. 14, n. 1, p. 3, doi. 10.1386/host_00058_2
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- Article
Isak Dinesen's weird voodoo novel.
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- Horror Studies, 2023, v. 14, n. 1, p. 29, doi. 10.1386/host_00060_1
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- Article
Hammer re-reads Dracula : The second time as farce, or, keeping a stiff upper lip in the ruins.
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- Horror Studies, 2023, v. 14, n. 1, p. 135, doi. 10.1386/host_00066_1
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- Article
For fear of the Other: Simulation of Indigenous presence in horror fiction.
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- Horror Studies, 2023, v. 14, n. 1, p. 119, doi. 10.1386/host_00065_1
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- Article
The horrors of capitalism in Reza Abdoh's The Law of Remains (1991).
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- Horror Studies, 2023, v. 14, n. 1, p. 101, doi. 10.1386/host_00064_1
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- Article