What is IT? Ambient dread and modern paranoia in It (2017), It Follows (2014) and It Comes at Night (2017).
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- Horror Studies, 2020, v. 11, n. 2, p. 205, doi. 10.1386/host_00019_1
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Works matching IS 20403275 AND DT 2020 AND VI 11 AND IP 2
Results: 10
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Shirley Jackson's Hill House and the rise of meta-gothic parody.
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- Horror Studies, 2020, v. 11, n. 2, p. 243, doi. 10.1386/host_00021_1
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- Article
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Theatricality in the Horror Film: A Brief Study on the Dark Pleasures of Screen Artifice, André Loiselle (2020).
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- Horror Studies, 2020, v. 11, n. 2, p. 282, doi. 10.1386/host_00024_5
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Arctic terror: Chilling decay and horrifying whiteness in the Canadian North.
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- Horror Studies, 2020, v. 11, n. 2, p. 187, doi. 10.1386/host_00018_1
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Introduction.
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- Horror Studies, 2020, v. 11, n. 2, p. 145, doi. 10.1386/host_00015_2
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'A contemptible movie now showing in Times Square': Cultural distinctions, space and taste in the exhibition of Snuff at the National Theatre.
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- Horror Studies, 2020, v. 11, n. 2, p. 169, doi. 10.1386/host_00017_1
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'Being a horror fan and being a feminist are often a conflicting business': Feminist horror, the opinion economy and Teeth's gendered audiences.
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- Horror Studies, 2020, v. 11, n. 2, p. 149, doi. 10.1386/host_00016_1
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Some 'R' points: Repression, repulsion, revelation and redemption in South Korean horror films.
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- Horror Studies, 2020, v. 11, n. 2, p. 221, doi. 10.1386/host_00020_1
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'They have to help themselves': Saw and the horrors of neo-liberalism.
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- Horror Studies, 2020, v. 11, n. 2, p. 259, doi. 10.1386/host_00022_1
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Sleeping with the Lights On: The Unsettling Story of Horror, Darryl Jones (2018).
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- Horror Studies, 2020, v. 11, n. 2, p. 279, doi. 10.1386/host_00023_5
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- Article