Works matching IS 20403275 AND DT 2017 AND VI 8 AND IP 1
Results: 11
Anchors away!: Horror in the age of pessimism.
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- Horror Studies, 2017, v. 8, n. 1, p. 3, doi. 10.1386/host.8.1.3_2
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- Article
Fear and utopia in the millennial zombie: Digging deep inside Snyder's Dawn of the Dead.
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- Horror Studies, 2017, v. 8, n. 1, p. 61, doi. 10.1386/host.8.1.61_1
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- Article
Reviews.
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- Horror Studies, 2017, v. 8, n. 1, p. 165, doi. 10.1386/host.8.1.165_5
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Cutting through the fourth wall: The violence of home invasion in Michael Haneke's Funny Games.
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- Horror Studies, 2017, v. 8, n. 1, p. 79, doi. 10.1386/host.8.1.79_1
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- Article
The beautiful, the bizarre, and the brutal: Dario Argento's rhetoric of simulational aesthetics.
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- Horror Studies, 2017, v. 8, n. 1, p. 131, doi. 10.1386/host.8.1.131_1
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- Article
Existence occulted: Rhetorical pessimism and the world-without-us.
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- Horror Studies, 2017, v. 8, n. 1, p. 9, doi. 10.1386/host.8.1.9_1
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- Article
Deleuzions of ecohorror: Weighing Al Gore's ecostrategy against The Day of the Triffids.
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- Horror Studies, 2017, v. 8, n. 1, p. 115, doi. 10.1386/host.8.1.115_1
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Biochemical responses to horror, or, 'why do we like this stuff?'.
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- Horror Studies, 2017, v. 8, n. 1, p. 147, doi. 10.1386/host.8.1.147_1
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- Article
Fault lines in Under the Skin (Glazer, 2013): An ethics and aesthetics of the 'monstrous'.
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- Horror Studies, 2017, v. 8, n. 1, p. 45, doi. 10.1386/host.8.1.45_1
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- Article
No, everything is not all right: Supernatural horror as pessimistic argument.
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- Horror Studies, 2017, v. 8, n. 1, p. 25, doi. 10.1386/host.8.1.25_1
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- Article
'House of mirrors': The sentient house as homosocial space in Andrew Pyper's The Guardians.
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- Horror Studies, 2017, v. 8, n. 1, p. 97, doi. 10.1386/host.8.1.97_1
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- Article