Works matching IS 20403275 AND DT 2016 AND VI 7 AND IP 1
Results: 10
Reviews.
- Published in:
- Horror Studies, 2016, v. 7, n. 1, p. 147, doi. 10.1386/host.7.1.147_5
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- Article
How monsters are made: 'No remorse, no pity' in Shelley, Dickens and Priestley's Mister Creecher.
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- Horror Studies, 2016, v. 7, n. 1, p. 25, doi. 10.1386/host.7.1.25_1
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- Article
Complicit bodies: Excessive sensibilities and haunted space.
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- Horror Studies, 2016, v. 7, n. 1, p. 41, doi. 10.1386/host.7.1.41_1
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- Article
Sifting science: Stratification and The Exorcist.
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- Horror Studies, 2016, v. 7, n. 1, p. 61, doi. 10.1386/host.7.1.61_1
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- Article
Zombieland and the inversion of the subaltern Zombie.
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- Horror Studies, 2016, v. 7, n. 1, p. 111, doi. 10.1386/host.7.1.111_1
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- Article
Transatlantic genre hybridity in Danny Boyle's 28 Days Later.
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- Horror Studies, 2016, v. 7, n. 1, p. 95, doi. 10.1386/host.7.1.95_1
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- Article
Thunder without rain: Fascist masculinity in AMC's The Walking Dead.
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- Horror Studies, 2016, v. 7, n. 1, p. 125, doi. 10.1386/host.7.1.125_1
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- Article
Horror from Poe to the zombie.
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- Horror Studies, 2016, v. 7, n. 1, p. 3, doi. 10.1386/host.7.1.3_2
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- Article
Insidious forms: Deleuze, the bodily diagram and the haunted house film.
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- Horror Studies, 2016, v. 7, n. 1, p. 73, doi. 10.1386/host.7.1.73_1
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- Article
'A slight lesion in the grey matter': The gothic brain in Arthur Machen's The Great God Pan.
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- Horror Studies, 2016, v. 7, n. 1, p. 9, doi. 10.1386/host.7.1.9_1
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- Article