The psychoanalytic trap in Dario Argento's L'uccello dalle piume di cristallo/The Bird With the Crystal Plumage (1970).
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- Horror Studies, 2012, v. 3, n. 2, p. 223, doi. 10.1386/host.3.2.223_1
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Works matching IS 20403275 AND DT 2012 AND VI 3 AND IP 2
Results: 9
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More things: Horror, materialism and speculative weirdism.
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- Horror Studies, 2012, v. 3, n. 2, p. 281, doi. 10.1386/host.3.2.281_1
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- Article
3
'Cinema is an abattoir': Horror film and explanation.
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- Horror Studies, 2012, v. 3, n. 2, p. 205, doi. 10.1386/host.3.2.205_1
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- Article
4
REVIEWS.
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- Horror Studies, 2012, v. 3, n. 2, p. 305, doi. 10.1386/host.3.2.305_5
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5
Unskewered: The anti-Oedipal gothic of Patrick McGrath.
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- Horror Studies, 2012, v. 3, n. 2, p. 263, doi. 10.1386/host.3.2.263_1
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- Article
6
The sublimity of monsters: Kant, Lacan and the Society of Connoisseurs.
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- Horror Studies, 2012, v. 3, n. 2, p. 167, doi. 10.1386/host.3.2.167_1
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- Article
7
Introduction: Horror after psychoanalysis.
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- Horror Studies, 2012, v. 3, n. 2, p. 153, doi. 10.1386/host.3.2.153_2
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- Article
8
An uninvited analysis: The horror of interpretation in The Guard Brothers' The Uninvited (2009).
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- Horror Studies, 2012, v. 3, n. 2, p. 181, doi. 10.1386/host.3.2.181_1
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- Article
9
Beyond psychoanalysis: Post-millennial horror film and affect theory.
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- Horror Studies, 2012, v. 3, n. 2, p. 243, doi. 10.1386/host.3.2.243_1
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- Article